Riley Griffin, Public Broadcasting Preservation Fellow at GPB

Riley.png
When we toured WGBH, we took turns holding an Emmy Award trophy (Image: Riley Griffin, author, holding an Emmy Award)

Hi, everyone!  My name is Riley Griffin (xe/xir).  I am just now entering my second year of graduate school in Clayton State University’s Masters of Archival Studies program.  I am the second fellow, after Virginia Angles, to be a part of the American Archives of Public Broadcasting (AAPB) Public Broadcasting Preservation Fellowship (PBPF).  My part of the project focused on digitizing Georgia Public Broadcasting’s (GPB) Georgia Gazette under the incredibly trusting supervision of Ellen Reinhardt, Kathy Christensen, and Joshua Kitchens.  I was looking for summer opportunities when a chance at following a career path in my new-found love for preservation presented itself through the AAPBPBPF.  I was overjoyed by the scope of the fellowship, the organizations working with it, and the special collections it included.

Every fellowship starts with certain expectations only to end with different lessons and new perspectives.  At the start of my fellowship, I spent a lot of time comparing. There were a lot of things I was not expecting, my reactions being one of them.  As we visited Boston and learned about all the different types of digital media we could be working with I couldn’t help but begin to feel this sort of jealousy–wishing I could work with as many formats and topics as possible.

Of course, this hunger decreased to a low rumble as I became humbled by the Georgia Gazette materials.  I quickly realized I craved difficulty; so, I became grateful instead of jealous.  In training, we were prepared to scrub and scrub our machines clean, take precious time delicately fixing things, and balance everything to be just perfect.  However, my project was given a bit of grace by being a more modern collection. Digital Audio Tapes (DATs) are often considered one of the most fragile media formats. However, most of them were recorded at a decent quality from the 1990’s to the 2000’s, rewound to the beginning, and left alone and undisturbed in an air-conditioned radio station.  So, please forgive me when I am grateful that the worst of my worries is how many times I dropped the (very loose) pinch roller into the machine that day.

GPBDigStation.png
GPB Digitization Station (Image: Two desks with 2 computers, a DAT machine, cleaning materials, and various electronics everywhere)

The topics of everyone’s materials had me curious, too.  I was wondering what it was like to have video–as my project was only audio–and to have materials like oral histories to work with.  I quickly counted my blessings as I heard what my colleague was working on–images of war, tragedy, death, and disaster. I thanked GPB for having forward attitudes towards topics, reporters who were nearly-emotionless in comparison, and pert news reports.  I am a very sensitive soul and could imagine having to wait the tears out before being able to see what you’re working on. I also realized I was having a hard time with some of the Georgia Gazette material.  One thing I experience as an archivist who moves all over is major culture shock.  I think being an archivist is one of the best ways to learn about the place you have just moved to. But it also exposes you to things much quicker than you expect.

I’m from upstate New York, which has a different demographic and historical context; although I’m not unfamiliar with racism, being deeply embedded in Georgia’s racial history as I digitized GPB’s daily news was a new experience for me. I had moments of weeping at work as I listened to news reports about the Georgia General Assembly holding expensive special sessions in order to redistrict purely based on race, schoolchildren being prevented from going the schools they want as a result of segregation, and segregation’s long-term effects on Georgia school districts, which I still hear about today. Although I knew about these issues in the abstract, hearing them firsthand was very emotional for me and adding visuals might have been overwhelming.

I would be lying if I were to say I came away from this project without any further attachment to Georgia.  Although it has exposed me to some of the ugly parts I try to avoid in my daily life, it has also exposed me to so much more.  Even the drive to work showed me the oldest drive-in movie theater in the area that is still working.   I also got the opportunity to listen to all of the preparation and execution of the 1996 Olympics.  I am a huge fan of all things Olympics, so

DAT
Indeed, this was the “WORST Gazette ever” (Image: close-up of a DAT labelled “Maxell DAT; Gazette 01-20 95; WORST Gazette ever”)

this was a special treat for me. The Georgia Gazette has given me a sort of pseudo-pride of Georgia; every guest and topic on the show had a relation to Georgia.  Learning about popular historical figures like Blind Tom Wiggins or popular events like the National Grits Festival in Warwick gives me a great appreciation for where I live and the opportunities available to me here.  It has also given me a deeper and fuller appreciation for public broadcasting, something that had already been instilled in me.  In a time where everyone is flocking to Georgia for jobs, often displacing long-term Georgians, I remind myself that my brief time being here must be purposeful.  I hope to help make their history more accessible so that they can feel that true sense of pride they deserve.  With the Georgia Gazette, I hope I did just that–even if it was just a little bit.

 

Written by Riley Griffin, PBPF Summer 2018 Cohort

———

About PBPF

The Public Broadcasting Preservation Fellowship (PBPF), funded by the Institute of Museum and Library Services, supports ten graduate student fellows at University of North Carolina, San Jose State University, Clayton State University, University of Missouri, and University of Oklahoma in digitizing at-risk materials at public media organizations around the country. Host sites include the Center for Asian American Media, Georgia Public Broadcasting, WUNC, the Oklahoma Educational Television Authority, and KOPN Community Radio. Contents digitized by the fellows will be preserved in the American Archive of Public Broadcasting. The grant also supports participating universities in developing long-term programs around audiovisual preservation and ongoing partnerships with their local public media stations.

For more updates on the Public Broadcasting Preservation Fellowship project, follow the project at pbpf.americanarchive.org and on Twitter at #aapbpf, and come back in a few months to check out the results of their work.

American Archive of Public Broadcasting’s Advisory Committees to Guide Public Media Preservation

Education Advisory Committee, Scholar Advisory Committee and Stations and Producers Advisory Committee to Guide American Archive of Public Broadcasting’s Preservation Efforts

The American Archive of Public Broadcasting (AAPB) has announced three new advisory committees: The Education Advisory Committee (EduAC), the Scholar Advisory Committee (SAC) and the Stations and Producers Advisory Committee (SPAC). These three groups of public media advocates and experts in their fields will grow the AAPB’s reach and engagement and will provide feedback on how to improve the AAPB’s operations as relates to each group’s unique needs. This initiative is made possible with funding from The Andrew W. Mellon Foundation, The AAPB, a collaboration between Boston public media station WGBH and the Library of Congress, has been working to digitize and preserve more than 50,000 hours of broadcasts and previously inaccessible programs from public radio and public television’s more than 70-year legacy. A list of Committee members is available at http://americanarchive.org/about-the-american-archive/advisory-committees.

 “The AAPB is a vast resource and a unique catalogue of our nation’s history through the lens of public media and local perspectives. The feedback we receive from our new committees is crucial to making the AAPB as accessible and user-friendly as possible to key communities across the country,” said Karen Cariani, David O. Ives Executive Director of the WGBH Media Library and Archives and WGBH’s Project Director for the AAPB. “We look forward to collaborating with scholars, educators, stations and producers and expanding the reach of the AAPB.”

The SAC, comprised of scholars from universities, academic and cultural institutions and non-profits from across the U.S., will collaborate on developing ways to engage with scholars and students, discuss how the AAPB can better support research, provide feedback on the AAPB’s website usability and accessibility, advise on future collections significant for preservation and assist in outreach across their academic networks. SAC scholars represent expertise in a range of fields, including public history, media, cinema, library and information science, journalism, science and American studies. The AAPB’s audio and video content from public media stations is a rich resource for research across these topics and more. The SAC’s input will help the AAPB make the use of these resources more accessible for researchers.

A group of education professionals comprise the EduAC. This committee will help the AAPB assess how it can better grow the usage of public media materials in k-12 and community college classrooms. EduAC will advise the AAPB on how to build better and/or integrate with existing online educational tools, to engage with k-12 students and better support educators in the field, and will act as advocates for public media preservation in their networks and communities.

The SPAC will bring together members of the public media community to gather input on how the AAPB can help stations preserve public media and make their historic content more accessible. The SPAC will offer feedback on the archiving services most needed by public media stations and identify significant collections and content for preservation.

The AAPB is a national effort to preserve at-risk public media and provide a central web portal for access to the programming that public stations and producers have created over the past 70 years. To date, over 50,000 hours of television and radio programming contributed by more than 100 public media organizations and archives across the United States have been digitized, and the Archive aims to grow by up to 25,000 additional hours per year. The entire collection is available for research on location at WGBH and the Library, and currently more than 30,000 programs are available in the AAPB’s Online Reading Room at americanarchive.org to anyone in the United States.

– – –

About the American Archive of Public Broadcasting

The American Archive of Public Broadcasting (AAPB) is a collaboration between the Library of Congress and the WGBH Educational Foundation to coordinate a national effort to preserve at-risk public media before its content is lost to posterity and provide a central web portal for access to the unique programming that public stations have aired over the past 70 years. To date, over 50,000 hours of television and radio programming contributed by more than 100 public media organizations and archives across the United States have been digitized for long-term preservation and access. The entire collection is available on location at WGBH and the Library of Congress, and more than 30,000 programs are available online at americanarchive.org.

About WGBH

WGBH Boston is America’s preeminent public broadcaster and the largest producer of PBS content for TV and the Web, including Frontline, Nova, American Experience, Masterpiece, Antiques Roadshow, Arthur, and more than a dozen other prime-time, lifestyle, and children’s series. WGBH also is a major supplier of programming for public radio and a partner with Public Radio International (PRI). As a leader in educational multimedia for the classroom, WGBH supplies content to PBS LearningMedia, a national broadband service for teachers and students. WGBH also is a pioneer in technologies and services that make media accessible to those with hearing or visual impairments. WGBH has been recognized with hundreds of honors: Emmys, Peabodys, duPont-Columbia Awards and Oscars. Find more information at www.wgbh.org.

About the Library of Congress

The Library of Congress is the world’s largest library, offering access to the creative record of the United States – and extensive materials from around the world – both on site and online. It is the main research arm of the U.S. Congress and the home of the U.S. Copyright Office.  Explore collections, reference services and other programs and plan a visit at loc.gov, access the official site for U.S. federal legislative information at congress.gov and register creative works of authorship at copyright.gov.

About The Andrew W. Mellon Foundation

Founded in 1969, The Andrew W. Mellon Foundation endeavors to strengthen, promote, and, where necessary, defend the contributions of the humanities and the arts to human flourishing and to the well-being of diverse and democratic societies by supporting exemplary institutions of higher education and culture as they renew and provide access to an invaluable heritage of ambitious, path-breaking work. Additional information is available at mellon.org.

Rebecca Benson, Public Broadcasting Preservation Fellow at KOPN

My name is Rebecca Benson, and I’m a graduate student at the University of Missouri, working on a Master’s in Library Science and focusing on work in special collections libraries. I am so excited for the experience I have gained working with the AAPB: I am familiar with much older materials, but the history of the past 100 years really demands broadcast media to be fully understood. The opportunity to work with AAPB and the materials from our local community radio station has expanded my archival horizons, and I look forward to sharing these materials and this history with researchers, as well as sharing this technology with other archivists.

IMG_3065The University of Missouri partnered with the one of the local community radio stations to work on this project. KOPN has been broadcasting from the same office in downtown Columbia since it was founded in 1973  — and I’m pretty sure some of the reels I digitized had not been touched since then. As one of the first open-access community radio stations, they have an amazing perspective on the history of the past several decades. The collection spans an incredible number of areas, from radio theatre to concerts to talk shows, from feminist, queer, indigenous, and otherwise marginalized voices. Working with Jackie Casteel, we decided to begin by digitizing the women’s programming, from the annual Women’s Weekend, the League of Women Voters, and the local Women’s Health collective, among others. Even within this subset, the range of programming spans from interview shows with women in prison to a discussion from one of the first female dentists in the area. Every time I start a new reel, I learn something new and interesting about Columbia or the world, and I cannot wait for others to use this trove of information to begin doing research. I have benefited from the information myself — by chance, I digitized the 1986 League of Women Voters panel on hospital trustees a week before another hospital trustee election in town, which dealt with the hospital lease discussed in 1986!

As I have worked with these materials, I have found that this sort of archival work can re-unite communities and bring people together. Not only have I worked with the university and our initial contacts at the station, I have encountered numerous other people who are, or were, connected with programming that I have now heard. Working on the metadata for our programs led me to the State Historical Society, and their archives of broadcast lists. My time sorting reels at the station led to meeting with a woman who had run much of the radio theatre programming for decades. A chance mention of KOPN led to learning more about the alternative ‘zine community in Columbia, and its connection with the radio station. This project has shown me all the ways in which archival projects are more than just scholarly work, but a way to build and re-build communities.

Getting all of these reels digitized has been — and continues to be — a massive project. As a community radio station, KOPN did not have the most standardized procedures for recording, broadcasting, and documentation, which has led to some interesting moments at the work station. I’m still uncertain how someone managed to splice one tape inside out and backwards! On the other hand, all of these quirks are a result of the creative community that grew around KOPN, and without it, the history of the station would be much poorer. We are so excited to share this vibrant part of our local history with the world.

Written by Rebecca Benson, PBPF Spring 2018 Cohort

*******************

About PBPF

The Public Broadcasting Preservation Fellowship (PBPF), funded by the Institute of Museum and Library Services, supports ten graduate student fellows at University of North Carolina, San Jose State University, Clayton State University, University of Missouri, and University of Oklahoma in digitizing at-risk materials at public media organizations around the country. Host sites include the Center for Asian American Media, Georgia Public Broadcasting, WUNC, the Oklahoma Educational Television Authority, and KOPN Community Radio. Contents digitized by the fellows will be preserved in the American Archive of Public Broadcasting. The grant also supports participating universities in developing long-term programs around audiovisual preservation and ongoing partnerships with their local public media stations.

For more updates on the Public Broadcasting Preservation Fellowship project, follow the project at pbpf.americanarchive.org and on Twitter at #aapbpf, and come back in a few months to check out the results of their work.

Digitization Grant Opportunity from Council on Library and Information Resources!

CLIR Recordings at Risk – Fourth Round Opens May 2nd 

Collaborate with American Archive of Public Broadcasting on
Digitization Grant Proposal

Now in its fourth call for the Recordings at Risk grant program, the Council on Library and Information Resources (CLIR) is accepting applications from collecting institutions for the digital reformatting of audio and audiovisual materials. Generously funded by The Andrew W. Mellon Foundation, Recordings at Risk is focused on digitizing “at-risk” audio and audiovisual materials of high scholarly value.

For this call, CLIR will award grants of between $10,000 and $50,000 for digital reformatting projects between 3 and 12 months carried out between June 2018 and April 2019.

DEADLINE:  June 29th, 11:59 pm (EDT). Recipients announced September 28th.

ELIGIBLE ACTIVITIES: All audio and audiovisual formats are eligible, though applicants must partner with a qualified external service provider that can perform technically competent and cost-effective digital reformatting for the nominated format(s).

INTERESTED IN WORKING WITH AAPB on a CLIR/Recordings at Risk Preservation project? Our team could provide your project with a letter of support, provide guidance on project planning, and provide feedback on your proposal. Contact Ryn Marchese, Engagement and Use Manager, ryn_marchese (at) wgbh (dot) org. 

FREE WEBINAR: CLIR will hold an informational webinar for prospective applicants on Wednesday, May 16 at 2:00 pm EDT. Please follow this link for more information: https://www.clir.org/recordings-at-risk/applicant-resources.

COMPLETE INFORMATION AND GUIDELINES HERE:  https://www.clir.org/recordings-at-risk/

***********

About AAPB

The American Archive of Public Broadcasting (AAPB) is a collaboration between the Library of Congress and the WGBH Educational Foundation to coordinate a national effort to preserve at-risk public media before its content is lost to posterity and provide a central web portal for access to the unique programming that public stations have aired over the past 70 years. To date, over 50,000 hours of television and radio programming contributed by more than 100 public media organizations and archives across the United States have been digitized for long-term preservation and access. The entire collection is available on location at WGBH and the Library of Congress, and over 31,000 programs are available online at americanarchive.org.

Dena Schulze, Public Broadcasting Preservation Fellow at WUNC

My name is Dena Schulze and I am the Public Broadcasting Preservation fellow partnered with WUNC radio station in Chapel Hill, North Carolina and the University of North Carolina at Chapel Hill. I graduate in May from the Archives and Records Management track in the Library Science School at UNC. It has been my privilege to digitize over 170 assets from WUNC radio station that were deemed at risk.  Formats included CDs, cassettes and DAT tapes. Check out some pictures and ramblings about my experience below!

WUNC-FM

Time Travelin’ with WUNC

Every time I put on the headphones, cue up the tape or CD and press record it’s like stepping into a time machine! I had noise reducing headphones that allowed me to be totally immersed in the recordings. Shows at WUNC that I digitized were mostly weekly talk shows about current events and the people, places and things of North Carolina. There were also special programs and recordings that changed up the monotony of talk shows. I enjoyed learning about the state that I have called home for the last fifteen years. Over the course of the fellowship I was able to digitize about 170 assets and learned so much about both the process and the content. Here are a few key words that summarize my experience:

Relevance

There were times when I was listening to a talk show or news segment and if you had changed the names and dates, I would have thought it was a current broadcast. Topics included poverty, politics, abortion, economics, gay marriage, health care, etc. These issues are still constantly in the news and being debated in our country. While I was listening to people talk about these issues 5, 10, 20 years ago it brought a new perspective to the news I was reading about in the present. Will we ever solve these problems or end the debate? Maybe not but I think the continuing discussion is vital and looking back on what has been said before can help the present conversation move forward.

Appreciation

Many of the shows and recordings also featured performing arts and music. Gary Shivers on Jazz played collections of jazz music, including an episode on Frank Sinatra and Ella Fitzgerald which I thoroughly enjoyed. The first episode of The Linda Belans show focused on television, specifically the popular shows airing at the time: Friends and Frasier. There was also a collection of short stories recorded by authors including Lee Smith and Haven Kimmel. As someone who loves the arts, I loved this theme throughout the assets and listening to things I would never have heard of otherwise.

Treasures

Cueing up a tape was almost like going on a treasure hunt! The titles of the episode didn’t necessarily tell me what I was going to be listening to for the next hour or so. Sometimes they were pretty simple: “Ray Bradbury” was a conversation with the famous author. Others had one description or name but that was only part of the tape. I was surprised to discover a whole segment on the art of fiddling and another interview featuring actress Amy Adams at the beginning of her career. Some did not even have a description on the tape and that content was a total surprise! Kept me on my toes!

desk-e1524585308344.jpg

North Carolina!

As mentioned above, I have lived in North Carolina for the past fifteen years and felt a strong connection to the shows focusing on the people, places and issues of the state. One show discusses a school being built near where I lived and I had no idea its history and beginning. Another had an interview with Dr. William Friday, who is basically North Carolina royalty and at one time was the president of the University of North Carolina system. Every recording dealt with a person, issue or place concerning the state of North Carolina. It gave me a greater knowledge and appreciation for the state I call home!

Flexibility

This word describes more of the process than the content. Because we were creating the workstation and workflow from the ground up, there were a lot of hiccups to work through. Equipment did not arrive on time or did not work properly, the computer did not read the CDs or programs correctly, miscommunication in emails are just a few examples. I had to be ready to move onto another part of the fellowship while other factors were figured out or fixed. Once the workstation and workflow were set up, everything ran a lot smoother but it takes time to get all the different pieces working together. I found it vital that I had mentors and professionals at my university and at the station to ask for help and I would not have gotten the workstation up and running without them!

I had so much fun immersing myself in recordings from the past and learning some history! I think these recordings are going to be so valuable on the AAPB website and I am so glad I was able to help get them online!

– Written by PBPF Fellow Dena Schulze

*********************

About PBPF

The Public Broadcasting Preservation Fellowship (PBPF), funded by the Institute of Museum and Library Services, supports ten graduate student fellows at University of North Carolina, San Jose State University, Clayton State University, University of Missouri, and University of Oklahoma in digitizing at-risk materials at public media organizations around the country. Host sites include the Center for Asian American Media, Georgia Public Broadcasting, WUNC, the Oklahoma Educational Television Authority, and KOPN Community Radio. Contents digitized by the fellows will be preserved in the American Archive of Public Broadcasting. The grant also supports participating universities in developing long-term programs around audiovisual preservation and ongoing partnerships with their local public media stations.

For more updates on the Public Broadcasting Preservation Fellowship project, follow the project at pbpf.americanarchive.org and on Twitter at #aapbpf, and come back in a few months to check out the results of their work.

The National Association of Educational Broadcasters (NAEB) Collection Now Available on AAPB

Screen Shot 2018-03-28 at 11.50.31 AM.png

The National Association of Educational Broadcasters (NAEB) Collection, now available on the AAPB website, consists of more than 5,500 radio programs from the 1950s and 1960s, created by over 100 NAEB member stations. The collection includes radio documentaries, coverage of events (hearings, meetings, conferences, and seminars), interviews, debates, and lectures on public affairs topics such as civil rights, foreign affairs, health, politics, education, and broadcasting.

These broadcasts, mostly stemming from university and public school-run radio stations, provide an in-depth look at the engagements and events of American history, as they were broadcast to and received by the general public in the twentieth century. Interview subjects and/or program participants feature a “who’s who” of mid-20th century public figures, including Hubert Humphrey, Betty Shabazz, Robert Frost, Frank Lloyd Wright, Alistair Cooke, Dr. Benjamin Spock, Margaret Mead, Studs Terkel, Dr. Albert Schweitzer, Marshall McLuhan, and Aldous Huxley. The collection also contains a notably large percentage of local content and voices, from a WDET Detroit series about local civil defense plans and policies called “Prepare for Survival,” to a series entitled “Document: Deep South,” a documentary series produced by WOUA at the University of Alabama depicting the increasing importance of the South in the economic development of the United States, to a show entitled “Search for Mental Health,” a series of talks about advances in psychiatry from the University of Chicago.

The NAEB was established in 1934 from a precursor organization, the Association of College and University Broadcasting Stations, that formed in 1925. The mission of the NAEB was to use communications technology for education and social purposes. It was an extremely successful and effective trade organization that, throughout its 60 years of existence, ushered in or helped to enable major changes in early educational broadcasting policy. In 1951, NAEB established a tape duplication exchange system in Urbana, IL, where programs produced by university radio stations across the country were copied and distributed to member stations, an early networking scheme that influenced the history of later public radio and television systems. The forerunner of CPB and its arms, NPR and PBS, the NAEB served as the primary organizer, developer, and distributor for noncommercial broadcast production and analysis between 1925 and 1981.

The NAEB Collection was contributed to the AAPB by the University of Maryland’s National Public Broadcasting Archives. The paper records of the NAEB are housed at University of Maryland and additional related materials are located at the Wisconsin Historical Society.

Access the collection here: http://americanarchive.org/special_collections/naeb

Special thanks to Stephanie Sapienza for her contributions to the curation of this collection.

AAPB Debuts New Exhibit “Protecting Places: Historic Preservation and Public Broadcasting”

pennstationhabs
Courtesy of the Library of Congress.

The American Archive of Public Broadcasting (AAPB) has launched a new digital exhibit titled “Protecting Places: Historic Preservation and Public Broadcasting.” Historic preservation is more than just saving old buildings from the bulldozer. Histories can be shared or silenced depending upon the preservation of places that represent a larger story. AAPB Digital Exhibits Intern Kara Zelasko uncovers how people have used public broadcasting to advocate, negotiate, or protest historic preservation efforts across America. Kara is currently a public history graduate student at Northeastern University interested in exploring history as a tool for placemaking and community engagement.

Using a diverse range of public radio and television content from 1950 – 2012, more than 100 digitized, historic public broadcasting programs, local news reports, radio call-in shows, and interviews document the important relationship historic structures have fostered between people and their neighborhoods. These visual and audio records digitized and preserved by the AAPB reveal the ways people have used or rejected preservation in the ever-changing American landscape to share local and national histories, illuminating the ways Americans have envisioned their communities through buildings and sites that connect past to present.

“Protecting Places: Historic Preservation and Public Broadcasting” is accessible online at http://americanarchive.org/exhibits/historic-preservation.

Listen to sample recordings from the exhibit…

Bill Inge, host of WILL’s radio call-in broadcast “Focus,” asks Richard Moe “how do we decide what buildings are worth saving?” Moe, then president of the National Trust for Historic Preservation, answers that the decision essentially lies within the community and what will best serve its current and future needs. This answer underlines the struggle historic preservationists encounter between saving a building to share the past while also serving the community of the present. Listen to the full episode here.

This segment from New Jersey Nightly News explores the Victorian buildings that have come to define Cape May’s community. The interview reveals how Cape May, like many other places, have come to recognize the economic incentive in preserving buildings and landscapes that speak to the neighborhood’s character. Watch the full segment here.

This interview from South Carolina Educational Television’s “Connections” discusses the disappearing cabins of enslaved people in South Carolina.  Historic preservation can be a way to uncover marginalized stories that have been previously ignored. This record and others found in the exhibit reveal how histories have been both erased and uncovered in the American landscape over time. Watch the entire episode here.

Upcoming Webinar: AAPB’s Quality Control Tools and Techniques for Ingesting Digitized Collections

static1.squarespace.jpg

Oklahoma mentor Lisa Henry (left) cleaning a U-matic deck with Public Broadcasting Preservation Fellow Tanya Yule.

This Thursday, February 15th at 8 pm EST, American Archive of Public Broadcasting (AAPB) staff will host a webinar covering quality control tools and technologies used when ingesting digitized collections into the AAPB archive, including MDQC, MediaConch, Sonic Visualizer, and QCTools.

The public is welcome to join for the first half hour. The last half hour will be limited to Q&A with our Public Broadcasting Preservation Fellows, who are just now beginning the process of digitizing at-risk public broadcasting collections to be preserved in the AAPB.

Webinar URL: http://wgbh1.adobeconnect.com/psv1042lp222/

*******************************

For more updates on the Public Broadcasting Preservation Fellowship project, follow the project at pbpf.americanarchive.org and on Twitter at #aapbpf, and come back in a few months to check out the results of their work: digitized content preserved in the American Archive of Public Broadcasting from our collaborating host organizations WUNCKOPNOklahoma Educational Television AuthorityGeorgia Public Broadcasting, and the Center for Asian American Media as well as documentation created to support ongoing audio and video preservation education at the University of MissouriUniversity of OklahomaClayton State UniversityUniversity of North Carolina at Chapel Hill, and San Jose State University.

 

Historic WRVR-FM Archives to be Digitized, Preserved and Made Available in the American Archive of Public Broadcasting

Historic WRVR-FM Archives Receives CLIR
Digitizing Hidden Special Collections and Archives Award

More than 4,000 hours of cultural and political radio programming from the 60s and 70s to be made public

 

Morningside Heights, NY – The Council on Library and Information Resources has awarded a grant of $330,000 to digitize, preserve, and make publicly accessible previously unavailable archives of the Peabody Award winning radio station WRVR. Public Radio as a Tool for Cultural Engagement in New York in the 60s and early 70s: Digitizing the Broadcasts of WRVR-FM Public Radio is a joint project between The Riverside Church in the City of New York and the American Archive of Public Broadcasting, a collaboration between the Library of Congress and the WGBH Educational Foundation. The collection includes culturally significant non-commercial programming, including interviews, speeches, and musical interpretations on matters such as civil rights, war, and fine arts, from laypersons to famed scholars, including Martin Luther King, Jr., Malcolm X, and Pete Seeger.

Funded by the Andrew W. Mellon Foundation, the Council on Library and Information Resources’ Digitizing Hidden Collections program supports the creation of digital representations of unique content of high scholarly significance. This award will support the preservation and digitization of over 3,502 recordings representing 4,000 hours of programming from WRVR from the 1960s and early 1970s. Owned and operated by The Riverside Church from 1961-1976, WRVR was the first station to win a Peabody for its entire programming, in part for its coverage of the Civil Rights movement in 1963 Birmingham. In addition to featuring progressive religious and philosophical discussions with Riverside clergy, theologians, and scholars, such as Rev. Dr. Martin Luther King, Jr., WRVR programming included culturally significant topics, speakers, and performances, such as Langston Hughes’ “Jericho-Jim Crow” directed by Alvin Ailey, and interviews and readings by Robert Frost, John Ashbery, and Allen Ginsberg. The station also featured the program “Just Jazz with Ed Beach,” which collection currently resides at the Library of Congress.

Preservation of these materials will enhance study in many disciplines, including theology/religion, political science, and communications, especially related to American Christianity, homiletics, progressive responses to the Civil Rights movement, contemporary issues of race and sexuality, the cultural impact of the 1960s, and public radio as a tool for cultural engagement and social media precursor.

These recordings will be made publicly available at the American Archive of Public Broadcasting (AAPB), a collaboration between the Library of Congress and WGBH. The AAPB coordinates a national effort to preserve at-risk public media before its content is lost to posterity and provide a central web portal for access to the unique programming that public stations have aired over the past 70 years.

Sample recordings include:

  • Arthur Miller. Statement for World Theater Day, March 27, 1963 Riverside Radio, WRVR, Riverside Archives (The Riverside Church) Arthur Miller remarks on theater’s ability to speak universal truths and understanding in art, and how this particular art form, above many others, informs society’s response to war, politics, freedoms, and all matters of the human condition across nations and cultures.
  • “Listen! William Sloane Coffin Jr.: Conscience, Protest & War.” Interview on WRVR, March 31, 1968 Riverside Radio, WRVR. Riverside Archives (The Riverside Church) William Sloane Coffin Jr., chaplain at Yale University (later Riverside Senior Minister, 1977-1987), discusses his indictment for conspiracy to encourage draft evasion and the politics of the Vietnam War; peace activism, civil rights and Dr. King’s Poor People’s Campaign, and how Dr. Coffin’s privilege informs his work as a clergyperson, activist, and American.

About The Riverside Church
riverside
Located in Morningside Heights on the Upper West Side, The Riverside Church in the City of New York is one of the leading voices of Progressive Christianity, influential on America’s religious and political landscapes for more than 85 years.  Built by John D. Rockefeller Jr. and currently led by The Rev. Dr. Amy Butler, the interracial, interdenominational, and international church has long been a forum for important civic and spiritual leaders, including Dr. Martin Luther King, Jr., Nelson Mandela, President Clinton, the Dalai Lama, and countless others.  Visit www.trcnyc.org or find us on social media to learn more about our rich history and the latest news and events.

About the American Archive of Public Broadcasting
AAPB_Logo_Color_4Square
The American Archive of Public Broadcasting (AAPB) is a collaboration between the Library of Congress and the WGBH Educational Foundation to coordinate a national effort to preserve at-risk public media before its content is lost to posterity and provide a central web portal for access to the unique programming that public stations have aired over the past 70 years. To date, over 50,000 hours of television and radio programming contributed by more than 100 public media organizations and archives across the United States have been digitized for long-term preservation and access. The entire collection is available on location at the Library of Congress and WGBH, and more than 30,000 programs are available online at americanarchive.org.

About WGBH
wgbh_logoWGBH Boston is America’s preeminent public broadcaster and the largest producer of PBS content for TV and the Web, including Masterpiece, Antiques Roadshow, Frontline, Nova, American Experience, Arthur and more than a dozen other prime-time, lifestyle, and children’s series. WGBH also is a leader in educational multimedia, including PBS LearningMedia™, and a pioneer in technologies and services that make media accessible to the 36 million Americans who are deaf, hard of hearing, blind, or visually impaired. WGBH has been recognized with hundreds of honors: Emmys, Peabodys, duPont-Columbia Awards…even two Oscars. Find more information at www.wgbh.org.

About the Library of Congress
PrintThe Library of Congress is the world’s largest library, offering access to the creative record of the United States – and extensive materials from around the world – both on site and online. It is the main research arm of the U.S. Congress and the home of the U.S. Copyright Office.  Explore collections, reference services and other programs and plan a visit at loc.gov, access the official site for U.S. federal legislative information at congress.gov and register creative works of authorship at copyright.gov.

About CLIR
CLIR_red_w_wordmark
The Council on Library and Information Resources is an independent, nonprofit organization that forges strategies to enhance research, teaching, and learning environments in collaboration with libraries, cultural institutions, and communities of higher learning.

About the Mellon Foundation
Founded in 1969, the Andrew W. Mellon Foundation endeavors to strengthen, promote, and, where necessary, defend the contributions of the humanities and the arts to human flourishing and to the well-being of diverse and democratic societies by supporting exemplary institutions of higher education and culture as they renew and provide access to an invaluable heritage of ambitious, path-breaking work. Additional information is available at mellon.org.

AAPB Debuts New Online Exhibit “Structuring the News: The Magazine Format in Public Media”

The American Archive of Public Broadcasting (AAPB) has launched a new digital exhibit about newsmagazines, a popular form of news presentation spanning five decades of radio and television broadcasting. Departing from mainstream examples such as 60 Minutes and All Things Considered, the exhibit brings together unique programs produced by independent stations from across the country for the first time as a unified collection. The newsmagazines showcased in “Structuring the News” cover topics from labor strikes to a day in the life of an air traffic controller, and emphasize conversations and voices often overlooked by network news shows.

“Structuring the News” is curated by Digital Exhibits Intern Alejandra Dean, and highlights 42 definitive examples representing both metropolitan producers and smaller, regional studios. Many of the shows in the exhibit prioritize local issues and communities, providing a window into American daily life from 1976-2016. In addition to defining the format, the exhibit looks at important precursors during the 1960s that experimented with news reporting.

“Structuring the News” can be accessed online at http://americanarchive.org/exhibits/newsmagazines.

To celebrate the launch of “Structuring the News: The Magazine Format in Public Media”, the exhibit’s curator, Alejandra Dean, AAPB Project Manager Casey Davis Kaufman, and Mark Williams, Professor of Film and Media Studies at Dartmouth College, will be discussing newsmagazines in a Facebook Live event at 12pm EDT on Thursday, July 6th. Don’t miss this inside look at over fifty years of broadcast newsmagazines, and the chance to ask questions about the exhibit! To watch, head to WGBH’s Facebook page at 12pm EDT on July 6th.