Riley Griffin, Public Broadcasting Preservation Fellow at GPB

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When we toured WGBH, we took turns holding an Emmy Award trophy (Image: Riley Griffin, author, holding an Emmy Award)

Hi, everyone!  My name is Riley Griffin (xe/xir).  I am just now entering my second year of graduate school in Clayton State University’s Masters of Archival Studies program.  I am the second fellow, after Virginia Angles, to be a part of the American Archives of Public Broadcasting (AAPB) Public Broadcasting Preservation Fellowship (PBPF).  My part of the project focused on digitizing Georgia Public Broadcasting’s (GPB) Georgia Gazette under the incredibly trusting supervision of Ellen Reinhardt, Kathy Christensen, and Joshua Kitchens.  I was looking for summer opportunities when a chance at following a career path in my new-found love for preservation presented itself through the AAPBPBPF.  I was overjoyed by the scope of the fellowship, the organizations working with it, and the special collections it included.

Every fellowship starts with certain expectations only to end with different lessons and new perspectives.  At the start of my fellowship, I spent a lot of time comparing. There were a lot of things I was not expecting, my reactions being one of them.  As we visited Boston and learned about all the different types of digital media we could be working with I couldn’t help but begin to feel this sort of jealousy–wishing I could work with as many formats and topics as possible.

Of course, this hunger decreased to a low rumble as I became humbled by the Georgia Gazette materials.  I quickly realized I craved difficulty; so, I became grateful instead of jealous.  In training, we were prepared to scrub and scrub our machines clean, take precious time delicately fixing things, and balance everything to be just perfect.  However, my project was given a bit of grace by being a more modern collection. Digital Audio Tapes (DATs) are often considered one of the most fragile media formats. However, most of them were recorded at a decent quality from the 1990’s to the 2000’s, rewound to the beginning, and left alone and undisturbed in an air-conditioned radio station.  So, please forgive me when I am grateful that the worst of my worries is how many times I dropped the (very loose) pinch roller into the machine that day.

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GPB Digitization Station (Image: Two desks with 2 computers, a DAT machine, cleaning materials, and various electronics everywhere)

The topics of everyone’s materials had me curious, too.  I was wondering what it was like to have video–as my project was only audio–and to have materials like oral histories to work with.  I quickly counted my blessings as I heard what my colleague was working on–images of war, tragedy, death, and disaster. I thanked GPB for having forward attitudes towards topics, reporters who were nearly-emotionless in comparison, and pert news reports.  I am a very sensitive soul and could imagine having to wait the tears out before being able to see what you’re working on. I also realized I was having a hard time with some of the Georgia Gazette material.  One thing I experience as an archivist who moves all over is major culture shock.  I think being an archivist is one of the best ways to learn about the place you have just moved to. But it also exposes you to things much quicker than you expect.

I’m from upstate New York, which has a different demographic and historical context; although I’m not unfamiliar with racism, being deeply embedded in Georgia’s racial history as I digitized GPB’s daily news was a new experience for me. I had moments of weeping at work as I listened to news reports about the Georgia General Assembly holding expensive special sessions in order to redistrict purely based on race, schoolchildren being prevented from going the schools they want as a result of segregation, and segregation’s long-term effects on Georgia school districts, which I still hear about today. Although I knew about these issues in the abstract, hearing them firsthand was very emotional for me and adding visuals might have been overwhelming.

I would be lying if I were to say I came away from this project without any further attachment to Georgia.  Although it has exposed me to some of the ugly parts I try to avoid in my daily life, it has also exposed me to so much more.  Even the drive to work showed me the oldest drive-in movie theater in the area that is still working.   I also got the opportunity to listen to all of the preparation and execution of the 1996 Olympics.  I am a huge fan of all things Olympics, so

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Indeed, this was the “WORST Gazette ever” (Image: close-up of a DAT labelled “Maxell DAT; Gazette 01-20 95; WORST Gazette ever”)

this was a special treat for me. The Georgia Gazette has given me a sort of pseudo-pride of Georgia; every guest and topic on the show had a relation to Georgia.  Learning about popular historical figures like Blind Tom Wiggins or popular events like the National Grits Festival in Warwick gives me a great appreciation for where I live and the opportunities available to me here.  It has also given me a deeper and fuller appreciation for public broadcasting, something that had already been instilled in me.  In a time where everyone is flocking to Georgia for jobs, often displacing long-term Georgians, I remind myself that my brief time being here must be purposeful.  I hope to help make their history more accessible so that they can feel that true sense of pride they deserve.  With the Georgia Gazette, I hope I did just that–even if it was just a little bit.

 

Written by Riley Griffin, PBPF Summer 2018 Cohort

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About PBPF

The Public Broadcasting Preservation Fellowship (PBPF), funded by the Institute of Museum and Library Services, supports ten graduate student fellows at University of North Carolina, San Jose State University, Clayton State University, University of Missouri, and University of Oklahoma in digitizing at-risk materials at public media organizations around the country. Host sites include the Center for Asian American Media, Georgia Public Broadcasting, WUNC, the Oklahoma Educational Television Authority, and KOPN Community Radio. Contents digitized by the fellows will be preserved in the American Archive of Public Broadcasting. The grant also supports participating universities in developing long-term programs around audiovisual preservation and ongoing partnerships with their local public media stations.

For more updates on the Public Broadcasting Preservation Fellowship project, follow the project at pbpf.americanarchive.org and on Twitter at #aapbpf, and come back in a few months to check out the results of their work.

Upcoming Webinar: Building AAPB Participation into Digitization Grant Proposals

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Building AAPB Participation into Digitization Grant Proposals: Requirements, Recommendations and Workflows

Tuesday, December 12, 2017
12:00pm ET

Webinar Registration form: https://goo.gl/forms/lWWU5GgFkv09bNFi2
Direct meeting URL: http://wgbh1.adobeconnect.com/aapb_grant-proposals-1/

Curious about getting involved in the American Archive of Public Broadcasting (AAPB)?

Seeking information about the workflows and requirements for contributing digitized content and/or metadata to the AAPB?

Writing a grant proposal and want to explore collaborating with the AAPB to preserve copies of your digitized collections and/or provide an access point to your collections through the AAPB metadata portal?

Then this webinar is for you!

On Tuesday, December 12, 2017 at 12:00pm ET, the AAPB will host a webinar focused on grant writing for digitization and subsequent contribution of digital files and metadata to the AAPB.

By the end of this webinar, participants will gain an understanding of:

  • AAPB’s background and infrastructure,
  • how contributing to the AAPB could benefit your collection
  • steps to becoming an AAPB contributor,
  • metadata and digital file format requirements and recommendations,
  • delivery procedures, and
  • other workflows and considerations for contributing digital files and/or metadata to the AAPB.
  • the value of your collection as part of a national collection and how to express that in a proposal

Attendees will also receive advice on how to incorporate AAPB contribution into their CLIR Recordings at Risk (applications due February 9, 2018!), CLIR Digitizing Hidden Collections, or other grant proposal timelines and work plans.

Fill out this brief form to receive info about future webinars and to receive a webinar meeting invitation sent to your calendar: https://goo.gl/forms/lWWU5GgFkv09bNFi2

Anyone can join the webinar at this URL: http://wgbh1.adobeconnect.com/aapb_grant-proposals-1/

This webinar and future AAPB webinars are generously funded by The Andrew W. Mellon Foundation.

The American Archive of Public Broadcasting (AAPB) is a collaboration between the Library of Congress and the WGBH Educational Foundation to coordinate a national effort to preserve at-risk public media before its content is lost to posterity and provide a central web portal for access to the unique programming that public stations have aired over the past 60 years. To date, over 50,000 hours of television and radio programming contributed by more than 100 public media organizations and archives across the United States have been digitized for long-term preservation and access. The entire collection is available on location at the Library of Congress and WGBH, and almost 25,000 programs are available online at americanarchive.org.

Celebrating National Radio Day

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August 20 is National Radio Day!

National Radio Day “is a time to honor one of the most longstanding electronic media and its role in our lives.” To celebrate National Radio Day, we have added more than 500 historic radio programs to the American Archive of Public Broadcasting (AAPB) Online Reading Room, now accessible from anywhere in the United States. With these new additions, there are now more than 14,000 historic public radio and television programs available for research, educational and informational purposes in the Online Reading Room.

The following radio series are now available for listening online:

Cross Currents from Vermont Public Radio (1978 – 1980)
Cross Currents is a series of recorded lectures and public forums exploring issues of public concern in Vermont.

Hit the Dirt from WERU Community Radio (1990s)
Hit the Dirt is an educational show providing information about a specific aspect of gardening each episode.

Herbal Update from WERU Community Radio (1990s)
Herbal Update is an educational show providing information about the health and nutrition benefits of a specific herb each episode.

The following series were contributed to the AAPB by the University of Maryland’s National Public Broadcasting Archives as part of the National Association of Educational Broadcasters (NAEB) collection. NAEB was established in 1934 from a precursor organization that formed in 1925. In 1951, NAEB established a tape duplication exchange system in Urbana, IL, where programs produced by university radio stations across the country were copied and distributed to member stations, an early networking scheme that influenced the history of later public radio and television systems. The more than 5,500 NAEB radio programs available in the AAPB were produced between 1952 and 1976, and include radio documentaries, coverage of events (hearings, meetings, conferences, and seminars), interviews, debates, and lectures on public affairs topics such as civil rights, foreign affairs, health, politics, education, and broadcasting.

WRVR | Riverside Church
The American People  (1964 – 1965)
Series examines contemporary issues through interviews and personal essays.

Automation and Technological Change (1964)
Documentary series on automation and technological change.

Conversations on Public Relations (1967)
Series of informal half-hour discussions on the nature and ethics of public relations.

WMUK | Western Michigan University
Where Minds Meet (1962 – 1963)
Discussions explore world of speech, conducted by Professors John Freund and Arnold Nelson of Western Michigan University.

WMUB | Miami University
As We See It: Vietnam ‘68 (1968)
Lecture/debate series on aspects of the war in Vietnam and Southeast Asia.

WBFO | SUNY Buffalo
The Only Way to Fly (1968)
Series about the safety aspects of commercial airlines and commercial air transport in the United States.

WUOM | University of Michigan
News in Twentieth Century America (1959)
A series of documentaries on the gathering, writing and dissemination of news in this country today, compiled from interviews with journalists.

Medical Research (1960)
Series about behavioral sciences and medicine.

Behavioral Science Research (1961)
Documentary series on the role of behavioral sciences.

The Challenge of Aging (1961)
Nine segments on aging within the series Behavioral Science Research.

Aspects of Mental Health (1962)
Documentary series about behavioral sciences and medicine research.

Wingspread Conference (1966)
Three programs of the major speeches given at the Wingspread Conference on Educational Radio as a National Resource, held Sept. 26-28, 1966, at Johnson Foundation in Racine, Wisconsin.

The American Town: A Self-Portrait (1967)
Historical documentary series drawn from the recollections of senior citizens in a variety of American towns.

The Truth about Radio (1967)
Interview by Richard Doan with Edmund G. Burrows, chairman of NAEB and manager of WUOM at U. of Michigan. He discusses his station and educational radio and television programming.

Public Broadcasting Act of 1967 (1967)
Panel discussion on Public Broadcasting Act of 1967.

University of Iowa
Russia Revisited (1959)
An informal talk by John Scott, assistant to the publisher of Time, Life and Fortune, recounting his recent trip to the Soviet Union.

Space Science Press Conference (1962)
Press conference at Univ. of Iowa at conclusion of 1962 Space Science Summer Study Program, hosted by National Aeronautic and Space Administration.

University of Florida
Revolution in Latin America (1961)
Documentary series on problems facing Latin America.

University of Denver
Indian Country (1957)
The problems of social adjustment in the attitudes and through the words of the modern American Indian.

Michigan State University
The Tender Twigs (1958)
Discussions of problems affecting today’s youth: mental health, delinquency, crime, social pressures; it considers solutions.

Hold Your Breath (1963)
Series about the impacts of air pollution.

The Music Makers (1965 – 1966)
Distinguished Americans discuss their profession of music, from composition to criticism; the business of music and its current place in our national culture.

San Bernardino Valley College
Politics in the Twentieth Century (1957)
Moderated panel discussion on American political affairs in mid-20th century.

Man is not a Thing (1958)
Discussion of the discoveries and errors of Sigmund Freud and his impact on the American family, politics and religion.

WGUC | University of Cincinnati
Interview with Dr. Albert B. Sabin (1961)
Interview with Dr. Albert B. Sabin, developer of the anti-polio vaccine.

Metaphysical Roots of the Drama (1968)
Lectures given at the Hebrew Union College-Jewish Institute of Religion at Cincinnati by Robert Brustein, Dean of the Yale School of Drama.

THIRTEEN’s American Masters Celebrates 30th Anniversary with Launch of Digital Video Archive and Podcast

The American Archive of Public Broadcasting (AAPB), a collaboration between WGBH and the Library of Congress, is delighted to preserve for posterity more than 800 previously unreleased full-length interviews that were originally filmed for the iconic documentary PBS series American Masters, produced by New York public television station THIRTEEN for WNET. The interviews, digitized for In Their Own Words: The American Masters Digital Archive and the American Masters Podcast, will be archived for long-term storage at the Library of Congress to ensure their survival for future generations.

For 30 years, American Masters has consistently produced high-quality, award-winning documentaries showcasing the pantheon of artistic and cultural figures in American history. This collection will be an amazing addition to the AAPB.

As a central web portal for researchers to discover historic public media content, the AAPB provides information on more than 2.5 million public television and radio programs stored at stations and archives across the nation. Users searching American Masters interviews in the AAPB catalog at americanarchive.org will be directed to the In Their Own Words: The American Masters Digital Archive website to view the material.

Read more about this new American Masters project below:

THIRTEEN’s American Masters Celebrates 30th Anniversary with Launch of Digital Video Archive and Podcast at pbs.org/americanmasters

Features previously unreleased interviews with David Bowie, Gloria Steinem, Herbie Hancock, Bernadette Peters, Mike Nichols and others from the series’ award-winning documentary films

(NEW YORK – June 23, 2016) On this day in 1986, THIRTEEN’s American Masters made its series debut on PBS with Private Conversations: On the Set of “Death of a Salesman, a cinéma vérité documentary about the making of Arthur Miller’s masterpiece for network television, and its stars Dustin Hoffman and John Malkovich.

Today, American Masters celebrates its 30th anniversary with the launch of In Their Own Words: The American Masters Digital Archive and the American Masters Podcast, featuring previously unreleased interviews filmed for the documentary series: 2,156 tapes, approximately 1,388 digitized hours, 800-plus interviews and counting.

A selection of short-form videos showcasing interviews with David Bowie, Gloria Steinem, Herbie Hancock, Bernadette Peters, Mike Nichols and other luminaries discussing America’s most enduring artistic and cultural giants are available now on the American Masters website (http://pbs.org/americanmasters). New videos will be released on an ongoing basis as the archive is digitized.

The American Masters Podcast, hosted by series executive producer Michael Kantor, will feature long-form interviews from In Their Own Words. The first season, “Women on Women, presents interviews with influential women discussing women cultural icons. Episode one features Gloria Steinem in conversation with the late, multiple Emmy-winning filmmaker Gail Levin taking a critical look at the life and career of Marilyn Monroe from 2006’s American Masters – Marilyn: Still Life. New episodes will be released biweekly on the American Masters website, iTunes, Soundcloud and Stitcher.

All full-length, digitized interviews will be archived by the American Archive of Public Broadcasting (AAPB), a collaboration between WGBH and the Library of Congress to preserve and make accessible significant historical content created by public media.

“I’m thrilled that the National Endowment for the Arts has provided major funding to get this project off the ground so we can finally share gems from the cutting room floor with the public,” said Michael Kantor, executive producer of American Masters. “Series creator Susan Lacy built a rich library of more than 200 documentary films, which is a treasure trove of American arts, culture and intellect, and the amazing interviews that informed these films are largely unseen. While we are still seeking funds to create a comprehensive, interactive digital archive website, we are confident that In Their Own Words and the American Masters Podcast will inspire and entertain a broad audience both today and in the future.”

Pending funding, the In Their Own Words: The American Masters Digital Archive dedicated website will eventually house all full-length, digitized interviews and be a public research-and-learning tool with an emphasis on usability, discoverability and comprehensive indexing to make American Masters interviews easily accessible and available to all.

To further explore the lives and works of masters past and present, the American Masters website currently offers streaming video of select films, outtakes, filmmaker interviews, photos, educational resources and more. American Masters has earned 28 Emmy Awards — including 10 for Outstanding Non-Fiction Series and five for Outstanding Non-Fiction Special — 12 Peabodys, an Oscar, three Grammys, two Producers Guild Awards and many other honors. The series is a production of THIRTEEN PRODUCTIONS LLC for WNET and also seen on the WORLD channel.

In Their Own Words: The American Masters Digital Archive and the American Masters Podcast is produced by Joe Skinner. Michael Kantor is executive producer.

Major funding for In Their Own Words: The American Masters Digital Archive is provided by the National Endowment for the Arts. Funding for American Masters is provided by The Corporation for Public Broadcasting, Rosalind P. Walter, The Philip and Janice Levin Foundation, Judith and Burton Resnick, The Blanche & Irving Laurie Foundation, Vital Projects Fund, Ellen and James S. Marcus, Lenore Hecht Foundation, Michael & Helen Schaffer Foundation, The André and Elizabeth Kertész Foundation, and public television viewers.

About WNET
WNET is America’s flagship PBS station and parent company of THIRTEEN and WLIW21. WNET also operates NJTV, the statewide public media network in New Jersey. Through its broadcast channels, three cable services (KidsThirteen, Create and World) and online streaming sites, WNET brings quality arts, education and public affairs programming to more than five million viewers each week. WNET produces and presents such acclaimed PBS series as Nature, Great Performances, American Masters, PBS NewsHour Weekend, Charlie Rose and a range of documentaries, children’s programs, and local news and cultural offerings. WNET’s groundbreaking series for children and young adults include Get the Math, Oh Noah! and Cyberchase as well as Mission US, the award-winning interactive history game. WNET highlights the tri-state’s unique culture and diverse communities through NYC-ARTS, Reel 13, NJTV News with Mary Alice Williams and MetroFocus, the daily multi-platform news magazine focusing on the New York region. In addition, WNET produces online-only programming including the award-winning series about gender identity, First Person, and an intergenerational look at tech and pop culture, The Chatterbox with Kevin and Grandma Lill. In 2015, THIRTEEN launched Passport, an online streaming service which allows members to see new and archival THIRTEEN and PBS programming anytime, anywhere: www.thirteen.org/passport.

About the American Archive of Public Broadcasting
The American Archive of Public Broadcasting (AAPB) is a collaboration between the Library of Congress and the WGBH Educational Foundation to preserve at-risk public media and provide a central web portal for access to the unique programming that public stations have aired over the past 60 years. To date, over 40,000 hours of television and radio programming contributed by more than 100 public media organizations and archives across the United States have been digitized. The entire collection is available on location at WGBH and the Library of Congress, and more than 13,000 programs are available online at americanarchive.org.

 

 

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Last day to contribute to the Public Broadcasting Preservation Scholarship

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This post was written by Casey Davis, AAPB Project Manager at WGBH, for WGBH’s Public Broadcasting Preservation Scholarship crowdfunding campaign.

We need your help!

Today is the last day to make a financial contribution to the AAPB’s Public Broadcasting Preservation Scholarship. We have raised $2,000 and appreciate your additional support to get us closer to our goal!

What is the Public Broadcasting Preservation Scholarship?

The Public Broadcasting Preservation Scholarship will fund public media representatives from Louisiana Public Broadcasting, Wisconsin Public Television, Minnesota Public Radio, CUNY-TV, Howard University Television (WHUT), WYSO-FM, and Pacifica Radio Archives to participate in a week-long training event focused on digital preservation of public media.

Here’s some additional background info:

WGBH is leading the American Archive of Public Broadcasting National Digital Stewardship Residency program funded by the Institute of Museum and Library Services. This program supports the creation of seven residencies at public media organizations across the country, focusing on audiovisual digital preservation of public television and radio.

In February, we announced that after some very difficult decision-making among 24 project proposals, we selected the Host Institutions for the NDSR project.

Our fabulous hosts include:

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More information about each host is available on our website:

The residencies will begin in July 2016 with a week-long immersion week in Boston, taught by leading experts in the field of audiovisual preservation. WGBH has launched a crowdfunding campaign to fund the Public Broadcasting Preservation Scholarship, in connection with the AAPB NDSR. The Scholarship will fund the host mentors to travel and participate in immersion week. You can find it here: igg.me/at/aapb-pbps

The scholarship would help host mentors gain and sharpen the skills that are needed to sustain digital preservation activities at beyond the term of the 10-month residency. This knowledge would improve their ability to preserve their at-risk materials for many years to come. As a supporter of the Public Broadcasting Preservation Scholarship, you could take us many steps closer to reaching our goal.

Public broadcasting stations have been on the front lines of history for more than 60 years. Help public media professionals gain the skills necessary to preserve this audiovisual historic record for posterity by supporting the American Archive of Public Broadcasting Public Broadcasting Preservation Scholarship.

We sincerely appreciate any and all support!

PBS NewsHour Digitization Project Update

NewsHour_Project_LogosIn January 2016, the Council on Library and Information Resources awarded WGBH, the Library of Congress, WETA, and NewsHour Productions, LLC a grant to digitize, preserve, and make publicly accessible on the AAPB website 32 years of NewsHour predecessor programs, from October 1975 to December 2007, that currently exist on obsolete analog formats. Described by co-creator Robert MacNeil as “a place where the news is allowed to breathe, where we can calmly, intelligently look at what has happened, what it means and why it is important,” the NewsHour has consistently provided a forum for newsmakers and experts in many fields to present their views at length in a format intended to achieve clarity and balance, rather than brevity and ratings. A Gallup Poll found the NewsHour America’s “most believed” program. We are honored to preserve this monumental series and include it in AAPB.

Last week, our contract archivist Alexander (AJ) Lawrence completed the inventory of 7,320 NewsHour tapes stored in 523 boxes located in WETA’s storage units in Arlington, Virginia, comprising the bulk of the collection. (Additional content is located at two other locations.)

“I was so excited to receive Casey’s initial email asking about my interest in the NewsHour project. I’ve been a life long watcher of the program and the chance to be involved in the preservation of such a valuable resource for historical research seemed like a wonderful opportunity.

The process of inventorying the entire collection seemed pretty daunting on my first day when I got my first in-person look at the storage units housing the estimated 7,500 tapes. However, the process has gone quite smoothly overall and we’ve now surpassed the halfway point. Generally, the tapes have little more than a date to identify them, but it’s been especially interesting to come across the tapes for significant historical events over the past 40+ years. These tapes in particular offered me a chance to reflect on some major cultural milestones I’ve witnessed, often through coverage by the NewsHour team. That said, it was also fun to come across the broadcast that aired on the day I was born, as well as the very first broadcast of The MacNeil/Lehrer NewsHour.

Thankfully, I haven’t been tackling the entire inventory alone. I need to offer a special thanks to Matthew Graylin, a desk assistant with the NewsHour who’s been tasked with assisting me with the work. Needless to say, conducting an archival inventory is well beyond the normal duties of a broadcast news assistant, but Matthew has dived in with gusto. We still have a few weeks together, so hopefully I can convert him into a future audiovisual archivist in that time.”

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We have also selected a digitization vendor for the project and are looking to begin pilot tests for digitization within the next month. Meanwhile, the Library has instituted quality control procedures to ensure that all digitized files will be properly preserved for present and future generations.

We can’t wait to get started with digitization and look forward to making this monumental series accessible as part of the AAPB collection. In the meantime, we’re pleased to share this clip reel sampling of content that will be digitized, courtesy of NewsHour Productions.

 

Please consider supporting the Public Broadcasting Preservation Scholarship

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This post was written by Casey Davis, AAPB Project Manager at WGBH, for WGBH’s Public Broadcasting Preservation Scholarship crowdfunding campaign.

We’re writing today to tell you about the AAPB Public Broadcasting Preservation Scholarship and to ask for your support.

WGBH is leading the American Archive of Public Broadcasting National Digital Stewardship Residency program funded by the Institute of Museum and Library Services. This program supports the creation of seven residencies at public media organizations across the country, focusing on audiovisual digital preservation of public television and radio.

In February, we announced that after some very difficult decision-making among 24 project proposals, we selected the Host Institutions for the NDSR project.

Our fabulous hosts include:

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More information about each host is available on our website:

The residencies will begin in July 2016 with a week-long immersion week in Boston, taught by leading experts in the field of audiovisual preservation. WGBH has launched a crowdfunding campaign to fund the Public Broadcasting Preservation Scholarship, in connection with the AAPB NDSR. The Scholarship will fund the host mentors to travel and participate in immersion week. You can find it here: igg.me/at/aapb-pbps

The scholarship would help host mentors gain and sharpen the skills that are needed to sustain digital preservation activities at beyond the term of the 10-month residency. This knowledge would improve their ability to preserve their at-risk materials for many years to come. As a supporter of the Public Broadcasting Preservation Scholarship, you could take us many steps closer to reaching our goal.

Public broadcasting stations have been on the front lines of history for more than 60 years. Help public media professionals gain the skills necessary to preserve this audiovisual historic record for posterity by supporting the American Archive of Public Broadcasting Public Broadcasting Preservation Scholarship.

We sincerely appreciate any and all support!

AAPB Acquires New Hampshire Public Radio Presidential Collection

New Online Presentation “Voices of Democracy,” Features Presidential Campaign Resources

The American Archive of Public Broadcasting (AAPB) has acquired New Hampshire Public Radio’s digital collection of interviews and speeches by presidential candidates from 1995-2007. The entire collection—nearly 100 hours of content—has been digitized and is now online, along with other presidential campaign content from the AAPB collection, in a new curated, free presentation, “Voices of Democracy: Public Media and Presidential Elections” at americanarchive.org/exhibits/presidential-elections.

AAPB, a collaboration between the Library of Congress and the WGBH Educational Foundation, preserves and makes accessible the most significant public television and radio programs of the past 60-plus years.

Voices of Democracy” features historical interviews, panel discussions, speeches and debates among presidential candidates from 1961 to 2008. These historical materials document the evolution of issues and presidential candidates’ positions on important election topics including the American economy, education, religion, civil rights, foreign policy, climate and the environment, labor and unions and campaign and election reform. The materials also document public broadcasting’s coverage of the process of elections and voter rights, as well as commentary and analysis of campaigns. The presidential elections presentation was curated by Lily Troia, a graduate student at Simmons College.

A centerpiece of the presentation is the new content from New Hampshire Public Radio (NHPR). “We are fortunate to live at the epicenter of the political universe every four years. It is from this vantage that we are able to capture and keep some of the most memorable and historic moments in the past 35 years of our democracy,” offered Betsy Gardella, president and CEO of New Hampshire Public Radio. “Knowing that this archive can now be tapped and used by anyone with internet access is an extension of our public service mission realized, we are grateful for the AAPB.”

Candidates featured in the New Hampshire collection include Lamar Alexander, Gary Bauer, Joe Biden, Bill Bradley, Carol Moseley-Braun, Sam Brownback, Pat Buchanan, Bill Clinton, Hillary Clinton, Howard Dean, Christopher Dodd, Bob Dole, Elizabeth Dole, John Edwards, Steve Forbes, Al Gore, Mike Gravel, Orrin Hatch, Mike Huckabee, Duncan Hunt, John Kasich, John Kerry, Alan Keyes, Dennis Kucinich, Joe Lieberman, John McCain, Barack Obama, Dan Quayle, Bill Richardson, Mitt Romney, Bob Smith, Arlen Specter and Tom Tancredo.

AAPB in October officially launched its Online Reading Room, which now features 2.5 million inventory records and more than 11,500 audiovisual streaming files of historical content dating back to the 1940s, from public media stations across the country.

The Library of Congress, WGBH Boston and the Corporation for Public Broadcasting, in collaboration with more than 100 stations and archives, have embarked on an unprecedented initiative to preserve historical public television and radio programs. This extraordinary material includes national and local news and public affairs programs, local history productions that document the heritage of our many, varied regions and communities and programs dealing with education, environmental issues, music, art, literature, dance, poetry, religion and filmmaking on a local level. The project ensures that this valuable source of American social, cultural and political history and creativity will be saved and made accessible for current and future generations.

More information is available at americanarchive.org.

About The Library of Congress
The Library of Congress, the nation’s first-established federal cultural institution, is the world’s preeminent reservoir of knowledge, providing unparalleled collections and integrated resources to Congress and the American people. The Library holds the largest collection of audio-visual recordings in the world and has been collecting and preserving historically, culturally and aesthetically significant recordings in all genres for nearly 120 years. Many of the Library’s rich resources and treasures may also be accessed through the Library’s website, www.loc.gov.

About WGBH
WGBH Boston is America’s preeminent public broadcaster and the largest producer of PBS content for TV and the web, including “Masterpiece,” “Antiques Roadshow,” “Frontline,” “Nova,” “American Experience,” “Arthur,” “Curious George,” and more than a dozen other prime-time, lifestyle, and children’s series. WGBH also is a leader in educational multimedia, including PBS LearningMedia, and a pioneer in technologies and services that make media accessible to the 36 million Americans who are deaf, hard of hearing, blind, or visually impaired. WGBH has been recognized with hundreds of honors: Emmys, Peabodys, duPont-Columbia Awards … even two Oscars. Find more information at www.wgbh.org.

About CPB
The Corporation for Public Broadcasting (CPB), a private, nonprofit corporation created by Congress in 1967, is the steward of the federal government’s investment in public broadcasting. It helps support the operations of more than 1,400 locally-owned and operated public television and radio stations nationwide, and is the largest single source of funding for research, technology, and program development for public radio, television and related online services. Visit us at www.cpb.org

About NHPR
Since 1981, NHPR has shaped the media landscape in the Granite State and beyond. Its mission is to help create a more informed public, one challenged and enriched by a deeper understanding and appreciation of state, national, and world events, ideas, and culture. NHPR is broadcast from 13 different sites, making it by far New Hampshire’s largest (and only) statewide radio news service. Every week NHPR is the choice of more than 178,000 listeners as a primary source of in-depth and intelligent news coverage. Each day New Hampshire Public Radio delivers several hours of local news reported by NHPR’s award-winning news department, locally produced shows such as “The Exchange” and “Word of Mouth,” and national and world news from NPR and the BBC. NHPR is the exclusive outlet for NPR news in the Granite State and broadcast national weekly programs such as “Fresh Air,” “Wait Wait … Don’t Tell Me!” and “This American Life.”

Media Contacts
Library of Congress:
Sheryl Cannady
202-707-6456
scannady@loc.gov

WGBH:
Emily Balk
617-300-5317
emily_balk@wgbh.org

Corporation for Public Broadcasting:
Kelly Broadway
202-879-9641
press@cpb.org

New Hampshire Public Radio
Nancy Jones
603-223-2480
njones@nhpr.org

AAPB welcomes Rachel Curtis, new Digital Conversion Specialist

The AAPB team is thrilled to welcome Rachel Curtis as our new Digital Conversion Specialist at the Library of Congress. In this role, Rachel is the project manager for the Library of Congress side of the AAPB project. She is involved with metadata mapping, reporting, planning, oversight, and overall coordination activities.

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Rachel Curtis, AAPB Digital Conversion Specialist

Rachel has a background in Anthropology and Art History and earned her MLIS degree from the University of Wisconsin-Milwaukee with a concentration in Archives Management. She previously worked at the Harley-Davidson Archives, where she was a project manager for their audiovisual digitization projects. In her free time, Rachel enjoys reading, visiting museums, playing video games, and bike riding.

She has only just begun to explore the AAPB collection, but as of today, Rachel’s favorite item in the AAPB comes from Wyoming PBS. It’s an episode of Main Street, Wyoming featuring an interview with Pius Moss, an Arapaho language and history teacher, in which he discusses importance of the preservation of the Arapaho language and all that it represents.

Welcome to the AAPB team, Rachel!

AAPB Releases Experimental API

This blog post was shared by Chuck McCallum, AAPB Developer at WGBH.

With the most recent release, the AAPB now has a public API. It’s an experiment at this point, but documentation is available, and we’ve put up a few examples. For example, you can explore coverage of different topics over the years, or see how coverage changes in different parts of the country. Let us know if you build anything interesting!

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