Announcing ROLL THE CREDITS: Classifying and Transcribing Text with Zooniverse

Today we’re launching ROLL THE CREDITS, a new Zooniverse project to engage the public in helping us catalog unseen content in the AAPB archive. Zooniverse is the “world’s largest and most popular platform for people-powered research.” Zooniverse volunteers (like you!) are helping the AAPB in classifying and transcribing the text from extracted frames of uncataloged public television programs, providing us with information we can plug directly into our catalog, closing the gap on our sparsely described collection of nearly 50,000 hours of television and radio.

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Example frame from ROLL THE CREDITS

The American people have made a huge investment in public radio and television over many decades. The American Archive of Public Broadcasting (AAPB) works to ensure that this rich source for American political, social, and cultural history and creativity is saved and made available once again to future generations.

The improved catalog records will have verified titles, dates, credits, and copyright statements. With the updated, verified information we will be able to make informed decisions about the development of our archive, as well as provide access to corrected versions of transcripts available for anyone to search free of charge at americanarchive.org.

In conjunction with our speech-to-text transcripts from FIX IT, a game that asks users to correct and validate the transcripts one phrase at a time, ROLL THE CREDITS helps us fulfill our mission of preserving and making accessible historic content created by the public media, saving at-risk media before the contents are lost to prosperity.

Thanks for supporting AAPB’s mission! Know someone who might be interested? Feel free to share with the other transcribers and public media fans in your life!

Where Does Your #GivingTuesday Donation Go?

For #GivingTuesday, please consider donating to the American Archive of Public Broadcasting! Help us continue to preserve and make accessible the archives and legacy of public media from across the nation.
A donation directly enables us to, among other things:

  • Grow the amount of content available to the public in our Online Reading Room
  • Improve our website with new features and improve functionality and discoverability of the collection
  • Sustain AAPB technical infrastructure so that we can continue to provide online access to the collection

Thank you for helping us keep over 60 years of American History at the fingertips of the next generation. Make a donation here: http://americanarchive.org/donate.

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Last Week of #PubMedia50: Current Initiatives and Memorabilia

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Five weeks ago we started our month-long commemoration of the 50thanniversary of the Public Broadcasting Act, signed by President Lyndon Johnson on November 7, 1967. The goal of each challenge was to engage in community, discover histories, share those stories with the public, and start dialogues. We can’t tell you how much we appreciate your participation and look forward to seeing your posts this week on Current Initiatives and Memorabilia!

Show us your posters, commercials, first logos, historic photographs, and mascots! How are you using your preserved history? What initiatives are you working on now?

 

We invite public broadcasting organizations, museums, archives, libraries, historians, public media fans, and other cultural organizations to personalize #PubMedia50 and share the stories in your own holdings and memories.

See you there!

To get started–

Example Tweets:

“We’re teaming up with @amarchivepub and #PubMedia50 stations to celebrate #PubMedia! Join in and share your history & content!”

“We’re joining @amarchivepub in celebrating the 50th Anniversary of the Public Broadcasting Act at #PubMedia50!”

Instagram/Facebook Post:

To commemorate the 50th anniversary of the signing of the Public Broadcasting Act of 1967, we’ll be posting content to celebrate the history and preservation of public broadcasting! Teaming up with @amarchivepub, #PubMedia50 stations, academics, and community members we’ll have a new #PubMedia50 theme each week. Join the conversation by tagging your post with #PubMedia50.

  • You can follow us here:

Instagram: @amarchivepub

Facebook: @amarchivepub

Twitter: @amarchivepub

Join the Conversation at the 2017 Association of Moving Image Archivists (AMIA) Conference

Next week, American Archive of Public Broadcasting staff are hosting at several workshops on workflows, crowdsourcing, and copyright at the 2017 Association of Moving Image Archivists (AMIA) conference in New Orleans!

Check out sessions and events featuring presentations by AAPB staff below. We hope to see you there! If you are unable to attend the conference, follow along with the conversations on Twitter at #AMIA17!

THURSDAY, November 30th

  • 1pm – 2pm, PBCore Advisory Sub-Committee Meeting
    Rebecca Fraimow will report on general activities of the Sub-Committee and the PBCore Development and Training Project. The following current activities will also be presented:

PBCore Cataloging Tool (Linda Tadic)
PBCore MediaInfo updates (Dave Rice)
ProTrack integration (Rebecca Fraimow)
Updated CSV templates (Sadie Roosa)
PBCore crosswalks (Rebecca Fraimow and Sadie Roosa)

FRIDAY, Dec 1st

  • 3:30 – 4:30 pm, Let the Computer and the Public do the Metadata Work!
    Speakers: Karen Cariani, Senior Director, WGBH Media Library and Archives & AAPB Project Director
    Tali Singer, Pop Up Archive
    Tanya Clement, University of Texas at Austin, School of Information

Archives that hold A/V materials are at a critical point, with many cultural heritage institutions needing to take immediate action to safeguard at-risk media formats before the content they contain is lost forever. Yet, many in the cultural heritage communities do not have sufficient education and training in how to handle the special needs that A/V archive materials present. In the summer of 2015, a handful of archive educators and students formed a pan-institutional group to help foster “educational opportunities in audiovisual archiving for those engaged in the cultural heritage sector.” The AV Competency Framework Working Group is developing a set of competencies for audiovisual archive training of students in graduate-level education programs and in continuing education settings. In this panel, core members of the working group will discuss the main goals of the project and the progress that has been made on it thus far.

  • 4:45 – 5:45 pm, Good Enough to Best, Tiered Born-Digital AV Processing
    Speakers: Rebecca Fraimow, Project Manager, WGBH Media Library and Archives
    Erica Titkemeyer, University of North Carolina at Chapel Hill
    Julia Kim, Library of Congress

Born-Digital audiovisual files continue to present a conundrum to archivists in the field today: should they be accepted as-is, transcoded, or migrated? Is transcoding to a recommended preservation format always worth the potential extra storage space and staff time? If so, what are the ideal target specifications? In this presentation, individuals working closely with born-digital audiovisual content from the University of North Carolina, WGBH, and the American Folklife Center at the Library of Conference will present their own use cases involving collections processing practices, from “best practice” to the practical reality of “good enough”. These use cases will highlight situations wherein video quality, subject matter, file size and stakeholder expectations end up playing important roles in directing the steps taken for preservation. From these experiences, the panel will put forth suggestions for tiered preservation decision making, recognizing that not all files should necessarily be treated alike.

  • 5:45 – 6:45 pm, Crowdsourcing Anecdotes

Room: Arcadian I

THE QUESTION: How does the public play a role in making historical AV content accessible? The American Archive of Public Broadcasting has launched two games that engage the public in transcribing and describing 70+ years of audio and visual content comprising more than 50,000 hours.

Join us to hear lessons learned, give us feedback on our open source FIX IT game and Zooniverse “ROLL THE CREDITS” project, find out how to build an AV-focused Zooniverse project and make use of recently released speech-to-text Kaldi language models. There might also be New Orleans-themed surprise…

 THE TOOLS: 

(Speech-to-Text Transcript Correction)

Fixit

FIX IT is an online game that allows the public to identify and correct errors in our machine-generated transcripts. FIX IT players have exclusive access to historic content and long-lost interviews from stations across the country. Website: fixit.americanarchive.org.

AAPB KALDI is a tool and profile for speech-to-text transcription of video and audio, released by the Pop Up Archive and made available on Github at github.com/WGBH/american-archive-kaldi.

(Program Credits Cataloging)

Roll

ROLL THE CREDITS is a game that allows the public to identify and transcribe information about the text that appears on the screen in so many television broadcasts. ROLL THE CREDITS asks users to collect this valuable information and classify it into categories that can be added to the AAPB catalog. To accomplish this goal, we’ve extracted frames from uncataloged video files and are asking for help to transcribe the important information contained in each frame.

SATURDAY, Dec 2nd

  • 9:45 – 10:45 am, Put it on your Bucket List: Navigating Copyright to Expose Digital AV Collections at Scale
    Speakers: Casey Davis Kaufman, Associate Director, WGBH Media Library and Archives & Project Manager, American Archive of Public Broadcasting
    Jay Fialkov, Deputy General Counsel, WGBH
    Hope O’Keeffe, Associate General Counsel, Library of Congress

Digitized collections often remain almost as inaccessible as they were on their original analog carriers, primarily due to institutional concerns about copyright infringement and privacy. The American Archive of Public Broadcasting has taken steps to overcome these challenges, making available online more than 22,000 historic programs with zero take-down notices since the 2015 launch. This copyright session will highlight practical and successful strategies for making collections available online. The panel will share strategies for: 1) developing template forms with standard terms to maximize use and access, 2) developing a rights assessment framework with limited resources (an institutional “Bucket Policy”), 3) providing limited access to remote researchers for content not available in the Online Reading Room, and 4) promoting access through online crowdsourcing initiatives.

  • 11am – 12 pm, Building the AAPB: Inter-Institutional Preservation and Access Workflows
    Speakers: Charles Hosale, Special Projects Assistant, WGBH/AAPB
    Leslie Bourgeois, Archivist, Louisana Public Broadcasting
    Ann Wilkens, Archivist, Wisconsin Public Television
    Rachel Curtis, AAPB Project Coordinator, Library of Congress

The American Archive of Public Broadcasting seeks to preserve and make accessible significant historical public media content, and to coordinate a national effort to save at-risk public media recordings. In the four years since WGBH and the Library of Congress began stewardship of the project, significant steps have been taken towards accomplishing these goals. The effort has inspired workflows that function constructively, beginning with preservation at local stations and building to national accessibility on the AAPB. Archivists from two contributing public broadcasters will present their institutions’ local preservation and access workflows. Representatives from WGBH and the Library of Congress will discuss collaborating with contributors and the AAPB’s digital preservation and access workflows. By sharing their institutions’ roles and how collaborators participate, the speakers will present a full picture of the AAPB’s constructive inter-institutional work. Attendees will gain knowledge of practical workflows that facilitate both local and national AV preservation and access.

  • 3:30 – 4:30 pm, Preservation is Painless: A Guide to Outsourced AV Digitization Project Management
    Speakers: Biz Maher Gallo, George Blood Audio/Video/Film/Data
    Charles Hosale, WGBH Media Library & Archives
    Robin Pike, University of Maryland Libraries
    Emily Vinson, University of Houston Libraries
    Rebecca Holte, New York Public Library
    Erica Titkemeyer, UNC Chapel Hill Libraries
    Kimbery Tarr, New York University Libraries

As an increasing number of audiovisual formats become obsolete and the available hours remaining on deteriorating playback machines decrease, it is essential for institutions to digitize their AV holdings to ensure long-term preservation and access. With an estimated hundreds of millions of items to digitize, it is impractical, even impossible, that institutions would be able to perform all of this work in-house before time runs out.  While this can seem like a daunting process, why learn the hard way when you can benefit from the experiences of others? From those embarking on their first outsourced AV digitization project to those who have completed successful projects but are looking for ways to refine and scale up their process, everyone has something to learn from these speakers about managing AV digitization projects from start to finish.

  • Poster Session – Design for Context: Cataloging and Linked Data for Exposing National Educational Television (NET) Content
    Presenters: Sadie Roosa, Project Manager, National Educational Television Collection Catalog Project
    Rachel Curtis, AAPB Project Coordinator, Library of Congress
    Christopher Pierce, Metadata Specialist, Library of Congress

How do you bring together a collection of broadcast materials scattered in various geographical locations across the country? National Education Television (NET), the precursor to PBS, distributed programs nationally to educational television stations from 1954-1972. Although this collection is tied together through provenance, it presents a challenge to processing due to differing approaches in descriptive practices across many repositories over many years. By aggregating inventories into one catalog and describing titles more fully, the NET Collection Catalog will help institutions holding these materials make informed preservation decisions. By its conclusion, AAPB will publish an online list of NET titles annotated with relevant descriptive information culled from NET textual records that will greatly improve discoverability of NET materials for archivists, scholars, and the general public. Examples of specific cataloging issues, including contradictory metadata documentation and legacy records, inconsistent titling practices, and the existence of international version will be explored.

ABOUT THE AAPB

The American Archive of Public Broadcasting (AAPB) is a collaboration between the Library of Congress and the WGBH Educational Foundation to coordinate a national effort to preserve at-risk public media before its content is lost to posterity and provide a central web portal for access to the unique programming that public stations have aired over the past 70 years. To date, over 50,000 hours of television and radio programming contributed by more than 100 public media organizations and archives across the United States have been digitized for long-term preservation and access. The entire collection is available on location at WGBH and the Library of Congress, and almost 25,000 programs are available online at americanarchive.org.

Week Four of #PubMedia50: Diversity of Public Broadcasting

*Due to the holiday, join the conversation on Tuesday rather than Thursday, Nov 21nd!

A Month-long Celebration of the Public Broadcasting Act’s 50thAnniversary

Three weeks ago we started our month-long commemoration of the 50thanniversary of the Public Broadcasting Act, signed by President Lyndon Johnson on November 7, 1967. We’re joining in with other public broadcasters and organizations such as PBS, NPR, CPB and APTS to celebrate this momentous milestone in our history.

We learned so much from participating archives and we look forward to this coming week’s theme: Diversity of Public Broadcasting (Community broadcasting, local heritage, unique facts about your research/station).

 

What makes your programming unique? Showcase the diversity of public broadcasting and local heritage documented by public media that is preserved in your collections.

The goal of each challenge is to engage in community, discover histories, share those stories with the public, and start dialogues. Get the theme beforehand by contacting our Engagement and Use Manager, Ryn Marchese at ryn_marchese@wgbh.org, or check out our social pages on Mondays!

You can tune-in to the campaign by posting on Tuesday! We invite public broadcasting organizations, museums, archives, libraries, historians, public media fans, and other cultural organizations to personalize #PubMedia50 and share the stories in your own holdings and memories.

As for us, we’ll be posting content from the American Archive of Public Broadcasting every day. Don’t miss a beat and let us know what you think!

See you there!

To get started–

Example Tweets:

“We’re teaming up with @amarchivepub and #PubMedia50 stations to celebrate #PubMedia! Join in and share your history & content!”

“We’re joining @amarchivepub in celebrating the 50th Anniversary of the Public Broadcasting Act at #PubMedia50!”

Instagram/Facebook Post:

To commemorate the 50th anniversary of the signing of the Public Broadcasting Act of 1967, we’ll be posting content to celebrate the history and preservation of public broadcasting! Teaming up with @amarchivepub, #PubMedia50 stations, academics, and community members we’ll have a new #PubMedia50 theme each week. Join the conversation by tagging your post with #PubMedia50.

  • You can follow us here:

Instagram: @amarchivepub

Facebook: @amarchivepub

Twitter: @amarchivepub

Week Three of #PubMedia50: Educational Television

A Month-long Celebration of the Public Broadcasting Act’s 50thAnniversary

Two weeks ago we started our month-long commemoration of the 50thanniversary of the Public Broadcasting Act, signed by President Lyndon Johnson on November 7, 1967. We’re joining in with other public broadcasters and organizations such as PBS, NPR, CPB and APTS to celebrate this momentous milestone in our history.

We learned so much from participating archives and we look forward to this coming week’s theme: Educational Television!

The goal of each challenge is to engage in community, discover histories, share those stories with the public, and start dialogues. Get the theme beforehand by contacting our Engagement and Use Manager, Ryn Marchese at ryn_marchese@wgbh.org, or check out our social pages on Mondays!

You can tune-in to the campaign by posting on Thursdays! We invite public broadcasting organizations, museums, archives, libraries, historians, public media fans, and other cultural organizations to personalize #PubMedia50 and share the stories in your own holdings and memories.

As for us, we’ll be posting content from the American Archive of Public Broadcasting every day. Don’t miss a beat and let us know what you think!

See you there!

Week 3 | Post content on November 16th (Th): Educational Television 

What are some of your favorite series or programs? What are the earliest programs that your station produced? Who were some of the first producers at your station? Which early series are most representative of the formats and genres created during the early years of public broadcasting? Which ones are still pertinent? What records or content related to early educational programming do you maintain in your archives? How has educational television evolved since its formation? What series are most representative of early educational television in the United States?
To get started:

Example Tweets:

“We’re teaming up with @amarchivepub and #PubMedia50 stations to celebrate #PubMedia! Join in and share your history & content!”

“We’re joining @amarchivepub in celebrating the 50th Anniversary of the Public Broadcasting Act at #PubMedia50!”

Instagram/Facebook Post:

To commemorate the 50th anniversary of the signing of the Public Broadcasting Act of 1967, we’ll be posting content to celebrate the history and preservation of public broadcasting! Teaming up with @amarchivepub, #PubMedia50 stations, academics, and community members we’ll have a new #PubMedia50 theme each week. Join the conversation by tagging your post with #PubMedia50.

  • You can follow us here:

Instagram: @amarchivepub

Facebook: @amarchivepub

Twitter: @amarchivepub

Week Two of #PubMedia50: Radio Broadcasting

A Month-long Celebration of the Public Broadcasting Act’s 50th Anniversary

Last week we started our month-long commemoration of the 50th anniversary of the Public Broadcasting Act, signed by President Lyndon Johnson on November 7, 1967. We’re joining in with other public broadcasters and organizations such as PBS, NPR, CPB and APTS to celebrate this momentous milestone in our history.

Thanks to those who participated in sharing their unique personal and institutional histories surrounding the history and preservation of public broadcasting with our first week of ‘Firsts’ and Major Ideas of Public Broadcasting.

We learned so much from your archives and we look forward to this coming week’s theme: Radio Broadcasting!

The goal of each challenge is to engage in community, discover histories, share those stories with the public, and start dialogues. Get the theme beforehand by contacting our Engagement and Use Manager, Ryn Marchese at ryn_marchese@wgbh.org, or check out our social pages on Mondays!

You can tune-in to the campaign by posting on Thursdays! We invite public broadcasting organizations, museums, archives, libraries, historians, public media fans, and other cultural organizations to personalize #PubMedia50 and share the stories in your own holdings and memories.

As for us, we’ll be posting content from the American Archive of Public Broadcasting every day. Don’t miss a beat and let us know what you think!

See you there!

Week 2 | Post content on November 9th (Th): Radio Broadcasting 

Who was the voice behind the mic? Who are some local radio pioneers in your community? What local and national radio pioneers inspired you or your institutions? What historic radio materials can you share from your archives this week?
To get started:

Example Tweets:

“We’re teaming up with @amarchivepub and #PubMedia50 stations to celebrate #PubMedia! Join in and share your history & content!”

“We’re joining @amarchivepub in celebrating the 50th Anniversary of the Public Broadcasting Act at #PubMedia50!”

Instagram/Facebook Post:

To commemorate the 50th anniversary of the signing of the Public Broadcasting Act of 1967, we’ll be posting content to celebrate the history and preservation of public broadcasting! Teaming up with @amarchivepub, #PubMedia50 stations, academics, and community members we’ll have a new #PubMedia50 theme each week. Join the conversation by tagging your post with #PubMedia50.

  • You can follow us here:

Instagram: @amarchivepub

Facebook: @amarchivepub

Twitter: @amarchivepub

 

Library and WGBH Acquire Historic TV Coverage of Senate Watergate Hearings

Digital Files Now Available on the American Archive of Public Broadcasting Website

Press Contact: Sheryl Cannady, Library of Congress, (202) 707-6456 | Emily Balk, WGBH, (617) 300-5317
Public Contact: Alan Gevinson, Library of Congress, (202) 707-0582 | Karen Cariani, WGBH, (617) 300-4286
Website: “Gavel-to-Gavel”: The Watergate Scandal and Public Television External

The Library of Congress and Boston public broadcaster WGBH announced today that gavel-to-gavel television coverage of the Senate Watergate hearings in 1973, donated to the Library by WETA Washington, D.C., has been digitally preserved and made available online.  Produced by the National Public Affairs Center for Television (NPACT), the hearings were taped during the day and rebroadcast every evening on public television for 51 days, from May 17 to Nov. 15. These broadcasts became one of the most popular series in public broadcasting history.

For the first time in 44 years, these riveting moments in history will once again be available to the American public through an online presentation—“Gavel-to-Gavel: The Watergate Scandal and Public Television”—on the American Archive of Public Broadcasting (AAPB) website at americanarchive.org. AAPB is a collaboration between the Library of Congress and WGBH to preserve and make accessible significant at-risk public media.

The presentation will provide access to all the coverage, a highlights reel, episode guide and an essay putting the coverage into historical perspective. Visitors to the online exhibit—curated by 2017 Library of Congress Junior Fellow Amanda Reichenbach—will see firsthand the memorable personalities involved in this national drama and the revelations that ultimately led to resignation of President Richard Nixon. Journalists Robert MacNeil and Jim Lehrer worked together for the first time as anchors to bring balanced commentary, allowing viewers to experience the full hearings and make their own informed opinions.  The coverage became a model for public television and, later, C-SPAN.

Each episode of the coverage begins with about five minutes of commentary by MacNeil and Lehrer, including a recap of what happened during that day’s hearing. The hearings range from two to seven hours in length. The anchors close out with a 10- to 20-minute wrap-up with experts and interviews conducted by correspondent Peter Kaye. The Senate Watergate Committee conducted its investigation in three phases: Watergate (May 17–Sept. 25), Campaign Practices or “Dirty Tricks” (Sept. 26–Nov. 6) and Campaign Finance (Nov. 7–Nov. 15). Coverage by NPACT of the subsequent House impeachment hearings in May and July 1974 also has been digitized and made available online.

After acquiring the tapes, the Library digitized nearly 352 hours of NPACT’s continuous coverage. The digital content was transferred to WGBH for inclusion in AAPB. Nearly a third of AAPB’s complete collection of 50,000 hours of preserved public TV and radio content is now available online for research, educational and informational purposes.

WGBH Boston is America’s pre-eminent public broadcaster and the largest producer of PBS content for TV and the web, including “Masterpiece,” “Antiques Roadshow,” “Frontline,” “Nova,” “American Experience,” “Arthur” and more than a dozen other prime-time, lifestyle and children’s series. WGBH also is a leader in educational multimedia, including PBS LearningMedia, and a pioneer in technologies and services that make media accessible to the 36 million Americans who are deaf, hard of hearing, blind or visually impaired. WGBH has been recognized with hundreds of honors: Emmys, Peabodys, duPont-Columbia Awards and two Oscars. Find more information at wgbh.org.

The Library of Congress is the world’s largest library, offering access to the creative record of the United States—and extensive materials from around the world—both on-site and online. It is the main research arm of the U.S. Congress and the home of the U.S. Copyright Office. Explore collections, reference services and other programs and plan a visit at loc.gov; access the official site for U.S. federal legislative information at congress.gov; and register creative works of authorship at copyright.gov.

Announcement: https://www.loc.gov/item/prn-17-167/library-and-wgbh-acquire-historic-tv-coverage-of-senate-watergate-hearings/2017-11-03/

Tune-In with #PubMedia50

A Month-long Celebration of the Public Broadcasting Act’s 50th Anniversary

Happy UNESCO World Day for Audiovisual Heritage! What better day than today to kick-off our month-long commemoration of the 50th anniversary of the Public Broadcasting Act, signed by President Lyndon Johnson on November 7, 1967. We’re joining in with other public broadcasters and organizations such as PBS, NPR, CPB and APTS to celebrate this momentous milestone in our history.

To celebrate the anniversary, we’re inviting you to a five-week social media campaign encouraging institutions and individuals to share their unique personal and institutional histories surrounding the history and preservation of public broadcasting.

Every week beginning in November 2017, we’ll issue a new #PubMedia50 challenge. The goal of each challenge is to engage in community, discover histories, share those stories with the public, and start dialogues. Get the theme beforehand by contacting our Engagement and Use Manager, Ryn Marchese at ryn_marchese@wgbh.org, or check out our social pages on Mondays!

Tune-in on Thursdays! We invite public broadcasting organizations, museums, archives, libraries, historians, public media fans, and other cultural organizations to personalize #PubMedia50 and share the stories in your own holdings and memories.

As for us, we’ll be posting content from the American Archive of Public Broadcasting every day. Don’t miss a beat and let us know what you think!

But we’ll give you a sneak peek, here’s the theme to Week One!

Week 1 | Post your content on November 2nd (Th): Firsts and Major Ideas 

(First Broadcasts/ First Broadcasters / Major Contributors / Major Ideas)

Share your ‘firsts’! What was the first public broadcasting program or series you watched? When did your station go on the air? Who were the major supporters and early pioneers that led to the development of public broadcasting in the United States? What ideas inspired the formation of public broadcasting and public programming? What are the earliest and most significant public broadcasting content and records in your collections?

  • To get started:

Example Tweets:

“We’re teaming up with @amarchivepub and #PubMedia50 stations to celebrate #PubMedia! Join in and share your history & content!”

“We’re joining @amarchivepub in celebrating the 50th Anniversary of the Public Broadcasting Act at #PubMedia50!”

Instagram/Facebook Post:

To commemorate the 50th anniversary of the signing of the Public Broadcasting Act of 1967, we’ll be posting content to celebrate the history and preservation of public broadcasting! Teaming up with @amarchivepub, #PubMedia50 stations, academics, and community members we’ll have a new #PubMedia50 theme each week. Join the conversation by tagging your post with #PubMedia50.

  • You can follow us here:

Instagram: @amarchivepub

Facebook: @amarchivepub

Twitter: @amarchivepub

PubMedia

(Photo: Yoichi Okamoto, LBJ Library)

Forty Years, Forty Films, Forty Weeks: The Medicine Game

Vision Maker Media’s “Forty Years, Forty Films, Forty Weeks” promotion concludes this week with our final featured Vision Maker Media film.

“The Medicine Game” follows the story of brothers from the Onondaga Nation who pursue their dreams of playing lacrosse for Syracuse University. With their dream nearly in reach, the boys are caught in a constant struggle to define their Native identity, live-up to their family’s expectations and balance challenges on and off the Reservation.

Screen Shot 2017-08-01 at 8.55.59 AM.png

Watch “The Medicine Game” on the American Archive of Public Broadcasting website.

Vision Maker Media would like to thank all the viewers who tuned in to stream 40 Years. 40 Films. 40 Weeks. In the last 40 years, the organization has created more than 500 films, awarded $11 million to independent producers and held hundreds of film-screening events across the nation. While only a portion of that was able to be shared in the last 40 weeks, Vision Maker Media hopes that these films have inspired viewers to look at the world through Indigenous eyes.

The AAAPB has been proud to collaborate with Vision Maker Media to share these films and celebrate the amazing work done by Vision Maker Media over the past forty years.

About Vision Maker Media

Vision Maker Media is the premier source for quality American Indian and Alaska Native educational and home videos. All aspects of Vision Maker Media programs encourage the involvement of young people to learn more about careers in the media – to be the next generation of storytellers. Vision Maker Media envisions a world changed and healed by understanding Native stories and the public conversations they generate.

With funding from the Corporation for Public Broadcasting (CPB), Vision Maker Media’s Public Media Content Fund awards support to projects with a Native American theme and significant Native involvement that ultimately benefits the entire public media community. Vision Maker Media, a nonprofit 501(c)(3) empowers and engages Native People to tell stories. For more information, http://www.visionmakermedia.org