The following is a guest post by Lily Troia, AAPB Cataloging Intern.
Hi. My name is Lily Troia and I am a public media junkie. I will admit, it is a bit of a problem. The first thing I do when traveling to any new town is find the local radio affiliate for my fix of daily news. I frequently cry along to This American Life, sit in my parked car laughing hysterically to Wait, Wait Don’t Tell Me’s antics, and I am certain Antiques Roadshow curtailed more than one family fight over the remote during my childhood.
I blame my mom and dad, ultimately, for a northern Wisconsin upbringing entrenched in public media. In the expanse of the rural Northwoods, commercial radio and static occupied most of the airwaves, with one local NPR-affiliate, WOJB, broadcast off a nearby Ojibwe reservation, serving as a beacon of independent thought and music for our small community. Cable was a luxury not yet accessible to remote country residents in the 1980s, and since my back-to-the-lander family couldn’t entertain the idea of a satellite dish, our viewing options included only NBC and PBS, with the occasional blurry-screened ABC when snowmobile traffic was reduced (seriously). Thus, I was the kid carrying my parents’ Wisconsin Public Television member tote bag to the summer pool, raised on a diet of Sesame Street, Square One, and 3-2-1 Contact in an era of Nickelodeon.
Decades later I found myself collaborating professionally with Minnesota Public Radio and Twin Cities Public Television on a regular basis. A classical music performer throughout my youth, I studied ethnomusicology at Northwestern University, yet felt disconnected from the cloistered world of academia, and eventually turned my musical interests to the business world. While running my own music management firm in Minneapolis, I produced numerous live and recorded projects, and frequently contributed content to MPR as a music and arts culture commentator. These experiences further solidified my lifelong love of and dedication to public media. Now back in school, pursuing a Masters in Library and Information Science at Simmons College, I have the unique opportunity to apply my music and humanities background in the arena of preservation and access, synthesizing my passion for scholarship and public service.
Life occasionally delivers instances of perfect serendipity; joining the American Archive of Public Broadcasting feels like such an instance. It truly is a professional dream to work on such a socially vital, dynamic project. Already in my brief time cataloging archival content from member stations across the country, I have learned about an influx of Mexican immigrants to Wyoming in the 1990s, listened to a decades-old KUT broadcast featuring Eliza Gilkyson, and discovered that Oregon hipster culture began long before Portlandia, in the form of a 1985 municipally-sponsored beard-growing contest. In a time when public media is forced to fight for basic funding–my Wisconsin stations are currently facing potential demise–ensuring the longevity and availability of this immeasurably valuable, cultural material has never been more important. What an inspiration to be at an organization like WGBH, committed to protecting and providing access to these historical gems that document our diverse American stories.