A Retrospective on WGBH and Experimental Television, 1968-1970

This year, the WGBH Media Library and Archives (MLA), a participating station of the American Archive of Public Broadcasting (AAPB), has begun hosting quarterly archives screenings as part of the WGBH Insiders Screening Series. Last week’s screening, A Retrospective on WGBH and Experimental Television from 1968-1970, offered a unique look into WGBH’s role as one of the first public media stations to explore television as an artistic medium. Over 100 members and guests visited WGBH to view segments of WGBH’s experimental television, including What’s Happening, Mr. Silver?; Madness and Intuition, The Medium is the Medium, and Violence Sonata.

Panelists included:

• Fred Barzyk, the original producer of WGBH’s series New Television Workshop

• George Fifield, Founder and Director of Boston Cyberarts Inc.

• Aldo Tambellini, Multimedia artist who created work for WGBH/Public Broadcasting Laboratory’s 1969 production called The Medium is the Medium

The event was moderated by Ryn Marchese, Engagement and Use Manager for the American Archive of Public Broadcasting, and Peter Higgins, Archives Manager at WGBH Media Library and Archives. Digital Archives Manager Leah Weisse curated an exhibit of relevant production and promotional materials to provide context to the evening’s focus. AAPB and MLA thank Elizabeth Hagyard for her support and collaboration on the event, as well as other staff in events, legal, marketing, and engineering, and WGBH volunteers who helped make the night a success!

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Introductory slide for The Medium is the Medium (1969) displaying the six contributing artists. From left to right on stage: Peter Higgins, Ryn Marchese, Fred Barzyk, and George Fifield.
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Aldo Tambellini speaks about his video art in The Medium is the Medium (1969).
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Digital Archives Manager Leah Weisse curated an exhibit of relevant production and promotional materials to provide context to the evening’s focus.

Event slide deck:

Original post from WGBH Media Library and Archives’ blog at https://wordpress.com/view/blog.openvault.wgbh.org.

Vote for AAPB’s Breakout Session Proposal for the PBS Annual Meeting!

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‘Engage Your Community to Celebrate Your History’ – Voting closes January 11th!

Help the American Archive of Public Broadcasting (AAPB) connect with more public television colleagues by voting for our PBS Annual Meeting session proposal: ‘Engage Your Community to Celebrate Your History’.

Vote for #12 at https://pbs.us18.list-manage.com/track/click?u=1ef18d7e30fe3109d60695e37&id=1015068778&e=0fc245cef2!

Many stations have piles of tapes in closets, basements, off-site storage, or hard drives under desks, that represent our local and national cultural heritage. The AAPB has proposed a session to help stations learn about easy steps toward preserving and making their collection available. Through collaborative grants with stations both large and small, the AAPB has preserved nearly 100,000 programs and original materials contributed by 125 TV and radio stations.

Joining the session would be Broadcast Journalist Judy Woodruff, Chair of our Executive Advisory Council and from the PBS NewsHour, Archivist Chris Alexander from WETA, and AAPB Stations and Producers Advisory Committee Member Kevin Crane from Nashville Public Television to discuss preservation, funding, and engaging initiatives that help preserve broadcasting’s legacy!

It’s as easy as:

  1. Click the voting link: https://pbs.us18.list-manage.com/track/click?u=1ef18d7e30fe3109d60695e37&id=1015068778&e=0fc245cef2
  2. Press ‘NEXT’ to #12
  3. Select AAPB’s Session titled ‘Engage Your Community to Celebrate Your History’
  4. Click ‘NEXT’ until you’ve submitted!

Please spread the word with your fellow pubmedia fans! Thank you.

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PBPF Program Equipment Plans

Here are the Program Equipment Plans from the Public Broadcasting Preservation Fellowship (PBPF)!

One of the goals of the Fellowship was to increase audiovisual preservation education in Library and Information Science (LIS) Programs. To accomplish this goal, funds were used to purchase digitization equipment for four of the five (LIS) Programs involved in the Fellowship:

University of Missouri
University of North Carolina
University of Oklahoma
Clayton State University

Because San Jose State University is a distance program with no physical campus, grant funds for the San Francisco Fellowship were used to purchase equipment for the Bay Area Video Coalition that was designated for the use of future SJSU students.

Host Mentors, Faculty Mentors, and Local Mentors collaborated to decide which types of equipment to purchase, and were responsible, along with the Fellows, for setting up the equipment once it arrived.

Each LIS Program has written about their plans for the equipment’s use outside of the Fellowship. Programs’ plans range from continued digitization work to incorporation of the equipment into the LIS curriculum to making the equipment available to students interested in pursuing internships in digitization.

Check out the Programs’ plans to find out more:

University of Missouri Equipment Plans

University of North Carolina Equipment Plans

San Jose State University and Bay Area Video Coalition Equipment Plans

University of Oklahoma Testimonial by Lisa Henry

University of Oklahoma Equipment Plans

Clayton State University Equipment Plans

#InnovationMonday: Dr. Michael DeBakey and Heart Surgery

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Want to help make this interview searchable and accessible online? While listening to Dr. DeBakey’s interview, audiences can edit the grammatical errors made in the computer-generated transcript at http://fixitplus.americanarchive.org/transcripts/cpb-aacip_17-73bzmhcc!

Produced by Louisiana Public Broadcasting (LPB), this episode of the series “Louisiana Legends” (1982) features the first part of an interview with Dr. Michael DeBakey, a native of Lake Charles, LA who was a preeminent surgeon whose innovations revolutionized heart surgery. During his interview, Dr. DeBakey discusses his father’s immigration to Lake Charles from Lebanon, how he became interested in the heart, the impact of Dr. Alton Ochsner on his career, and his interactions with President Richard Nixon, President John F. Kennedy, and President Lyndon B. Johnson.

“Louisiana Legends” is a talk show hosted by Gus Weill conducting in-depth conversations with Louisiana cultural icons. This series has been digitized and preserved in the American Archive of Public Broadcasting (AAPB) and the public can help make this interview searchable and accessible through the Transcribe to Digitize Challenge!

How does it work? The AAPB has created computer-generated transcripts for each radio and television program in the archive. Stations like LPB are engaging the public to help correct puncutation or misspelled words to make the program available online. These programs are then searchable by keywords and timestamps much like this interview with James Baldwin (WGBH, 1963) – http://americanarchive.org/catalog/cpb-aacip_15-0v89g5gf5r.

You can start editing here http://fixitplus.americanarchive.org/transcripts/cpb-aacip_17-73bzmhcc.

Or watch the full interview at http://americanarchive.org/catalog/cpb-aacip_17-73bzmhcc.

To learn how the Transcribe to Digitize Challenge is providing FREE digitization to AAPB’s participating organizations, visit https://americanarchivepb.wordpress.com/2018/10/22/aapbs-transcribe-to-digitize-challenge-with-george-blood/.

Thank you!

A New Archivist’s First Time at AMIA

When I Googled “work conferences” for tips, other searches showed up like “I hate going to conferences”, “work conference anxiety”, and “how to survive a conference”. Although conferences present a great opportunity to create and strengthen connections in your field, learn new skills and concepts, and see what your peers are up to, they can be difficult. As a new archivist, I am beginning to learn first-hand just how useful (and sometimes challenging) conferences can be. Having recently returned from the Association of Moving Image Archivists (AMIA)’s 2018 conference in Portland, Oregon, it now seems like an appropriate time to write a digest of my time at AMIA and the state of this particular conference, from a first-timer’s perspective.

The first thing that struck me about AMIA was that, with its maybe 800 attendees, it is relatively small, especially when compared to the only other conference I have attended, hosted by the Society of American Archivists (SAA), in which a few thousand attendees converged on Washington D.C. in August.

However, this isn’t necessarily a bad thing. AMIA’s smaller numbers meant that I didn’t have to constantly battle people for space in elevators, conference halls, and poster sessions. Talks at AMIA always had enough seats to accommodate the numbers in the room, and even when chairs did run out, there was always enough room to pull in a few more.

The smaller group at AMIA also meant that people were able to give and receive a lot more face-time with their fellow attendees. At every committee meeting that I sat in on, meeting leaders called upon members by name, and everybody seemed to know the expertise of other members, which bolstered the sense of community at AMIA. It was also fairly common for presenters to call upon people by name during Q&A sessions, since they clearly had some level of an established professional relationship. The smaller numbers also made it easier to introduce myself to strangers, since I wasn’t crabby from being in crowds all day, and I was encouraged to partake in this who’s-who world of archivists.

In meeting new people, I was greatly aided by one of the programs that AMIA offered, in which seasoned veterans of AMIA volunteered as guides for first-timers. Volunteers wore bright yellow badges to encourage first-time conference attendees to say hello or ask for guidance, which, as a first-timer myself, I thought was a nice service that gave me a hint of who was at least somewhat approachable. Luckily, my supervisor Rebecca Fraimow was one such volunteer, and she graciously introduced me to many of her friends, colleagues, and former classmates while at AMIA.

Along with new faces, I was also able to see some familiar faces, since conferences are a natural meeting point for colleagues normally distributed around the country. This is especially true for me and my colleagues, who work with the American Archive of Public Broadcasting (AAPB), a collaboration between WGBH and the Library of Congress, which is dedicated to preserving content from public media creators around the United States. Because of the wide distribution of colleagues involved in the AAPB, we are often limited in our ability to meet personally, which makes the ability to meet at conferences all the more important.

At AMIA I was able to chat with Jason Corum, a WGBH employee who now works remotely from California; Rachel Curtis, of the Library of Congress, to whom I am constantly sending files, and with whom I and Jim Hone of WUSTL had a long conversation about the vagaries of mid-west and east coast weather; Callie Holmes and Mary Miller of the University of Georgia, partners with WGBH in the Peabody Project; and of course Evelyn Cox and Laura Haygood, two students at the University of Oklahoma who were presenting a poster called “Collaboration & Replicability: Passing on the Knowledge of AV Station Creation”, which was based on their work as Fellows at the Oklahoma Educational Television Authority as part of WGBH’s Public Broadcasting Preservation Fellowship. Since it is so rare that I see all of these far-flung colleagues, AMIA provided a great opportunity to connect with them in person.

Another positive part of AMIA was that there was personal time factored into AMIA’s schedule. Each day around 12pm and 6pm, sessions would cease so that conference attendees could take naps, grab food, or go sightseeing around Portland, which, as somebody who gets grouchy when I’m hungry, I greatly needed and appreciated.

Of course, the talks that these breaks were scheduled around were also great. My favorites tended to be more theoretical than technical, since as a new archivist I am curious to hear perspectives on how the field may change in the course of my career. The most interesting talk to me was the prescient “Everything In your Archive Is Now Fake”, a discussion on how deepfakes (artificial videos created using AI image synthesis) risk the credibility of the entire notion of the archive as a place of storing authentic videos of real events.

Other conference standouts were a panel on intersectionality, multiple discussions of regional archives, and a talk on working with challenging material, which ranged from the physically challenging (ex: movie-set ephemera), to the morally challenging (ex: pornography). Although I believe that the archives are still fairly conservative in many aspects, I was nonetheless glad that AMIA was willing to have challenging conversations about what archivists can do to improve representation of these types of collections.

The only thing that I thought was lacking from the talks were more substantive discussions of attracting and supporting archivists of color and the collections of people of color (POC). I admit that I’m biased since not only am I a POC, but also because my first conference was SAA, where POC issues were a main focus, both of which probably makes me more critical of AMIA’s relative lack of discussion on representing historically marginalized groups (like various POC communities, the LGBT+ community, the disabled community, etc.).

However, I still think that it is worth mentioning that I would have liked more of a discussion on what archivists and archives can do to support archivists and collections of color, since I think it is and will continue to be important as demographic shifts occur in the US. I also would have loved to have seen a committee dedicated specifically to archivists and collections of color (although I was encouraged to see that there’s an LGBT Committee and an International Outreach Committee, which has engaged in foreign-language accessibility, like Pamela Vízner Oyarce’s collaborative effort with Lorena Ramírez-López, Erwin Verbruggen, Gloria Ana Diez, and Jo Ana Morfin, to translate the AMIA website into Spanish, and to find Spanish-language resources to link to the AMIA website).

Although I believe that AMIA has work to do in fostering these discussions, I was impressed by the scheduling of screenings, which helped me step outside the standard conference fare of talks and mixers. I especially enjoyed the Archival Screening Night, where the audience was treated to as many six-minute video segments as three hours would allow. The videos were a refreshing way to see what my fellow moving image archivists had been working on and was a reminder that we have the privilege to work with really cool material with some great history. My personal favorite was a Singaporean kung-fu film from the 1970s that was banned by the government of Singapore for its depiction of corruption and crime, resulting in the film being stored in the lead actor’s refrigerator for over 30 years.

All in all, AMIA was fun, informative, and enjoyable. The conference reaffirmed for me that conferences are more than their commonly-held perception as a thing to be survived. The care that I saw for people on the individual level at AMIA demonstrated to me that it is a true community, one with flaws, but a community nonetheless. I believe that Casey Davis Kaufman and the rest of the AMIA board put it best when, at the opening session, they sang that “we are AMIA”.

National Council for the Social Studies (NCSS) Conference Resources

Available Online: 35,000+ Educational Video and Audio Resources and Primary Sources

The American Archive of Public Broadcasting (AAPB) recently met with K-12 educators, administrators, and teachers-in-training at the annual National Council for the Social Studies (NCSS) Conference, a melding of the minds to help advocate and build capacity for high-quality social studies through leadership, services, and support.

As a collaboration between the Library of Congress and WGBH Educational Foundation, the AAPB provides an online archive, open and available to the public, of historic public radio and television programs from across the nation, spanning public broadcasting’s 70+ year history. From local and regional to national productions, the AAPB allows the public to access 36,000 (and growing) programs and original materials, from local news and documentaries to talk shows and raw interviews, and more all available at americanarchive.org!

To learn more about the AAPB, watch this informational video with example clips at https://vimeo.com/108272934.


For easier access and navigation, below is a deeper dive into AAPB’s resources:

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The AAPB provides online access to users anywhere in the United States with a wide range of historic public television and radio programs that were submitted for digitization by more than 120 stations and archives from across the country. More than 36,000 programs are available online for research, educational and informational purposes, spanning public broadcasting’s 70+ year history. The entire collection is available for research on location at WGBH and the Library of Congress.

*Start with AAPB’s Road Trip Special Collection at http://americanarchive.org/special_collections/aapb-road-trip!

Check out our participating organizations at http://americanarchive.org/participating-orgs.


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Because of the geographical breadth of the material, students can use the collection to help uncover ways that national historical events played out on the local scene. The long chronological reach from the late 1940s to the present provides researchers with previously inaccessible primary source material to document change over time.


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Some notable collections are featured on the Special Collections page with finding aids that include information such as the scope and content of the collection, provenance and background information about its creator and source, recommended search strategies, and related resources. Collections include:

Raw interviews –

Screen Shot 2018-12-06 at 12.34.25 PM.png1964 (American Experience)
The Abolitionists (American Experience)
Jubilee Singers (American Experience)
Freedom Riders (American Experience)
The Murder of Emmett Till (American Experience)
Reconstruction (American Experience)
Africans in America (WGBH)

American Masters (WNET)
Ken Burn’s The Civil War (American Documentaries, Inc.)

Early educational broadcasting –

National Association of Educational Broadcasters Programs
National Educational Television Collection

Locally and nationally distributed programs and documentaries –

Center for Asian American Media
Firing Line
Georgia Gazette (GPB)
Oklahoma Educational Television Authority (OETA) News and Cultural Programming
PBS NewsHour
Say Brother (WGBH)
Vision Maker Media Documentaries
Woman (WNED)

Direct link to our Special Collections: http://americanarchive.org/special_collections


AAPB staff and guest curators create exhibits of selected programs and recordings that focus on themes, topics, and events of cultural and historical significance. Primary and secondary sources contextualize a curatedexhibit1-e1544117844344.pngdiversity of perspectives concerning the exhibit’s focus and as a result, AAPB exhibits often illuminate how public broadcasting stations and producers have covered topics such as the Watergate hearings, climate change, protesting in America, civil rights, and more!

Direct link to our Curated Exhibits: http://americanarchive.org/exhibits


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Contact Ryn Marchese, AAPB’s Engagement and Use Manager, to inquire about bringing these materials into your classroom: ryn_marchese@wgbh.org!

And feel free to share our resource with your local school, public and academic librarians! We’ve created a AAPB Library Communications Kit with details on how to describe the AAPB on website/resource guides and embed our player and harvest metadata from our catalog. We’ve also included a link to our webinar with the Boston Library Consortium on the “Accessibility of AAPB in Academic Libraries,” most of which will be applicable to the public librarian community.

For information about the AAPB that you can print for your classroom, email to fellow teachers, or post about online, feel free to use our Informational Flyer!


Most recommended content during NCSS?

Based on our conversations with teachers, below are a few programs we most recommended during the conference!

  1. PBS NewsHour Special Collection – The PBS NewsHour Collection includes more than 8,000 episodes of PBS NewsHour’s predecessor programs from October 1975 to December 2007 covering local and national conversations.
  2. “Gavel-to-Gavel”: The Watergate Scandal and Public Television Curated Exhibit – Here you will find guides to each episode of the public hearings that were digitized, links to transcripts, and highlights to peruse. To help identify people in the videos, the Cast of Characters page includes photos and titles for the important figures in the hearings. The Watergate Scandal, 1972-1974 page gives an explanation of the who, what, when, where, and why of Watergate to help guide you through the coverage. If you would like a more in depth essay on the significant role that Watergate played in the history of public broadcasting, please click on the Watergate and Public Broadcasting link.
  3. Field Trip Series from Main Public Broadcasting – Field Trip is a series of short educational documentaries that explore Maine’s history, culture, and agriculture from fish hatcheries to how low/high tides work — there’s so much to explore!
  4. Local Content – Search our participating stations for local content!

– – – –

The American Archive of Public Broadcasting (AAPB) is a collaboration between the Library of Congress and WGBH Educational Foundation in Boston that preserves and makes accessible significant public radio and television programs before they are lost to posterity. The AAPB collection includes more than 50,000 recorded hours comprising over 90,000 digitized and born-digital programs, and original materials dating back to the late 1940s, and is growing!

Written by Ryn Marchese, AAPB Engagement and Use Manager

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@amarchivepub

Remembering George H.W. Bush through Public Broadcasting

Today the nation lays to rest George Herbert Walker Bush, America’s 41st president who lived a long life dedicated to public service until his death at the age of 94. The American Archive of Public Broadcasting (AAPB) is honored to have preserved for modern audiences several historic public television and radio programs featuring or discussing President Bush, providing the American public the opportunity to learn more about his remarkable career in moving images and sound.

Below is a curated selection of programs with, or related to, George H.W. Bush beginning with his role as CIA Director, then on to his presidential campaigns, moderated debates, and the local reactions to his impact as a leading politician. All programs are available online thanks to the listed contributing stations.

1976

The CIA and the Intelligence Community from the Hoover Institution Library and Archives, Stanford University

In this episode of Commonwealth Club of California, George H.W. Bush discussed the responsibilities of the director of central intelligence (DCI), the role of the CIA, and the central importance of national security. He also talked about secrecy, accountability, and having faith in the strength and effectiveness of our democratic institutions.

Direct link: http://americanarchive.org/catalog/cpb-aacip_514-2j6833np4c

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George Bush in Boston from 10 O’Clock News

As a former CIA director, George H. W. Bush, spoke on national security and foreign affairs. In regards to relations with South American countries, Bush explained his belief that one should not use 1977 morals to pass judgment on events that happened in the past. He denied allegations that the CIA used the African Swine Fever Virus in Cuba to “destabilize”. Also denied that he ever authorized any use of chemical or biological warfare agents. He touched briefly on his potential candidacy for presidency.

Direct link: http://americanarchive.org/catalog/cpb-aacip_15-5t3fx73z3d

1979

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– George Bush Profile; George Bush for President from The MacNeil/Lehrer Report

The main topic of this episode was George H.W. Bush’s candidacy for president of the United States. The guests included Bush’s three campaign leaders Peter Teeley, David Keene, and James Baker, as well as George H.W. Bush.

Direct link: http://americanarchive.org/catalog/cpb-aacip_507-db7vm43k4v

Presidential Hopeful George H.W. Bush from Iowa Public Television
Iowa Press interviewed George H.W. Bush, a relatively unknown candidiate at the time and his strategy to leverage Iowa toward his party.

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Debates with Six Republican Presidencial Candidates from Iowa Public Television

This presidential debate recorded by Iowa Public Television included panelists Rep. Phil Crane Of Illinois, Senate Minority Leader Howard Baker Of Tenn., John Connally Of Texas, Sen. Robert Dole Of Kansas, George H.W. Bush Of Texas, and Rep. John Anderson of Illinois.

Part 1 direct link: http://americanarchive.org/catalog/cpb-aacip_37-83kwhj7b

Part 2 direct link: http://americanarchive.org/catalog/cpb-aacip_37-569325t0

1984

Debate between Vice President George Bush and Geraldine Ferraro produced by The MacNeil/Lehrer NewsHour, contributed by Iowa Public Television

 

This debate focused on Vice President Bush and vice presidential candidate Geraldine Ferraro on foreign and domestic affairs.

Part 1 direct link: http://americanarchive.org/catalog/cpb-aacip_37-72b8h3np

Part 2 direct link: http://americanarchive.org/catalog/cpb-aacip_37-19f4qw2s

1988

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– The Bush Record from The MacNeil/Lehrer NewsHour

In the latter half of this episode, The MacNeil Lehrer NewsHour covered the political record of the new republican presidential nominee, George H.W. Bush.

Direct link: http://americanarchive.org/catalog/cpb-aacip_507-862b85443p

 

– A Firing Line Debate: Resolved: That George Bush and the Republican Party Are Better Able to Run the Country for the Next Four Years Than Michael Dukakis and the Democratic Party from Firing Line with William F. Buckley

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The television series Firing Line with William F. Buckley Jr. was a venue for debate and discussion on political, social, and philosophical issues with experts of the day. In this episode, Buckley hosted a panel to discuss Bush’s impact as president, over that of his opponent’s, Michael Dukakis.

Direct Link: http://americanarchive.org/catalog/cpb-aacip_514-4f1mg7gh5j

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Andrew Young and NAACP members criticize Bush from 10 O’Clock News

In this episode of WGBH’s 10 O’Clock News, Deborah Wang noted that many members of the Legal Defense Fund were skeptical of President George Bush’s commitment to civil rights; she added that civil rights advocates were worried about Bush making conservative appointments to the judiciary. Wang reported that there would be several openings in lower courts and a possible opening on the Supreme Court during Bush’s term in office.

Direct link: http://americanarchive.org/catalog/cpb-aacip_15-9ks6j45g

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– The Week of the the 41st Presidencial Inauguration from NewsHour Productions

In this episode, essayist Roger Rosenblatt discussed George H.W. Bush’s inauguration and his role in Civil Rights.

Direct link: http://americanarchive.org/catalog/cpb-aacip_507-j678s4kf08

*Start at timecode 49:20

Screen Shot 2018-12-05 at 11.22.01 AM.png– What the Presidency Means for Business from Maryland Public Television

From the Wall Street Week series, this episode compared the monetary impact of Ronald Reagan’s presidency verses Bush’s. Guests included Reagan’s budget chief, a top Wall Street money man, and a leading invester of Europe.

Direct link: http://americanarchive.org/catalog/cpb-aacip_394-7957421w

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Speaking for Bush from Maryland Public Television

From this episode of Wall Street Week, Lynn M. Martin, United States Secretary of Labor under President George H.W. Bush, spoke on President Bush’s economic policies.

Direct link: http://americanarchive.org/catalog/cpb-aacip_394-28nck2pq

 

Written by Ryn Marchese, AAPB Engagement and Use Manager

Help Support the AAPB for #GivingTuesday!

#GT_logo_0

 

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Image from WCTE’s 1984 episode on Computer Skills from the Issues in Education series preserved at http://americanarchive.org/catalog/cpb-aacip_23-17crjgjv!

 

For #GivingTuesday, please consider donating to the American Archive of Public Broadcasting! Help us continue to preserve and make accessible the archives and legacy of public media from across the nation.

A donation directly enables us to, among other things:

  • Grow the amount of content available to the public in our Online Reading Room
  • Improve our website with new features and improve functionality and discoverability of the collection
  • Sustain AAPB technical infrastructure so that we can continue to provide online access to the collection
  • Support the curation of exhibits and special collections that explore historical topics or themes as covered by public radio and television
  • Help provide engagement opportunities for new organizations to contribute their collections to the AAPB
  • Improve metadata and searchability of the AAPB so that researchers can better find content relevant to their research topic

Type ‘gif giving’ in the comment box of your donation at http://americanarchive.org/donate and we’ll post a new gif from the archive!

THANK YOU for helping us keep over 70 years of American History at the fingertips of the next generation. Make a donation here: http://americanarchive.org/donate.

Where Does Your #GivingTuesday Donation Go?

#GT_logo_0
GivingTuesday
For #GivingTuesday, please consider donating to the American Archive of Public Broadcasting! Help us continue to preserve and make accessible the archives and legacy of public media from across the nation.

A donation directly enables us to, among other things:

  • Grow the amount of content available to the public in our Online Reading Room
  • Improve our website with new features and improve functionality and discoverability of the collection
  • Sustain AAPB technical infrastructure so that we can continue to provide online access to the collection
  • Support the curation of exhibits and special collections that explore historical topics or themes as covered by public radio and television
  • Help provide engagement opportunities for new organizations to contribute their collections to the AAPB
  • Improve metadata and searchability of the AAPB so that researchers can better find content relevant to their research topic

THANK YOU for helping us keep over 70 years of American History at the fingertips of the next generation. Make a donation here: http://americanarchive.org/donate.

PBPF Fellow Workshop Plans

Check out the Public Broadcasting Preservation Fellowship (PBPF)’s Summer Fellows’ workshop plans!

As a component of PBPF, Summer Fellows collaborated with Faculty Advisors at their universities to create a workshop or tutorial that they will conduct for other students. These workshops are designed to extend the reach of the PBPF program at participating universities and provide training for other LIS students to learn how to use the digitization equipment funded by the grant. These workshop plans will serve as the basis of the Fellows’ workshop sessions, and illustrate the material that the Summer Fellows will cover in order to educate their peers on their digitization process and properly using and maintaining the equipment.

Access Riley Griffin’s YouTube tutorials here:

 

Download other workshop plans here:

Tanya Yule SJSU Presentation

Eric Saxon Missouri Workshop Notes

Eric Saxon Missouri audio preservation workshop flyer

Laura Haygood OU AV Digitization Training Workshop

Steven Wilcer UNC Digitization workshop plan

For more updates on the Public Broadcasting Preservation Fellowship project, follow the project at pbpf.americanarchive.org and on Twitter at #aapbpf.